RANDOM POSTs
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GIMP 3.0 review – 20 years on from 2.0, has GIMP kept up with the times?
https://www.gimp.org/release-notes/gimp-3.0.html
Highlights
- Need to tweak a filter you applied hours ago? New in GIMP 3.0 is non-destructive editing for most commonly-used filters. See the changes in real time with on-canvas preview.
- Exchange files with more applications, including BC7 DDS files as well as better PSD export and many new formats.
- Don’t know how big to make your drawing? Simply set your paint tool to expand layers automatically as needed.
- Making pro-quality text got easier, too. Style your text, apply outlines, shadows, bevels, and more, and you can still edit your text, change font and size, and even tweak the style settings.
- Organizing your layers has become much easier with the ability to select multiple items at once, move them or transform them all together!
- Color Management was again improved, as our long-term project to make GIMP an advanced image editor for all usages.
- Updated graphical toolkit (GTK3) for modern desktop usage.
- New Wilber logo!
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ComfyUI + InstaID SDXL – Face and body swap tutorials
Read more: ComfyUI + InstaID SDXL – Face and body swap tutorials
https://github.com/cubiq/ComfyUI_InstantID
https://github.com/cubiq/ComfyUI_InstantID/tree/main/examples
https://github.com/deepinsight/insightface
Unofficial version https://github.com/ZHO-ZHO-ZHO/ComfyUI-InstantID
Installation details under the post
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John Bruno – on realism, restraint, and adventure
http://www.theverge.com/2014/8/8/5982523/visual-effects-john-bruno-terminator-ghostbusters-interview
Who’s doing things right these days? What excites you right now?
Well, I’m prone to the work done by Weta [Digital]. The best thing I’ve seen this year is [Dawn of] the Planet of the Apes. It’s staggering. I called Joe Letteri at Weta and just said, “In the world of visual effects you are Caesar and I am but a chimp.” I swear to God I said that to him. The visual effects were so tactile, I don’t even know how to explain it. It was just immersive. That is so hard to do.
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TERMINOLOGY USED on FILM SETS
www.ubcp.com/wp-content/uploads/Terminology-on-Film-Sets.pdf
TERMINOLOGY USED on FILM SETS
“10-4”: Short for “I understand” or “copy.”
“10-100”: Short for “Going to the honey wagon”; a trip to the bathroom.
“What’s your 20?” Short for “Where are you?”
“Action”: Director’s cue for the actors and/or action to begin.
“Back to First Marks”: Instruction for actors/extras to return to their first positions; also referred to as “Ones.”
“Background”: Cue for extras and any other background action elements to begin their action.
Call Time: The time you must be on set or location, ready to work.
Circus: Makeup, Hair and Wardrobe Trucks, Honey wagons, Mobile Dressing Rooms and Catering.
Company Move: Short for “We’re on the move’; this means that the entire unit is finished at that location and is
“Cut”: The call to stop the action. Before releasing any lock-up make sure you hear cut from the 1st AD.
Day for Night: Using special camera lenses, lighting and film stock to create a night look during the day.
Exterior: Outdoor shot
Extras: Performers hired to provide background action; also known as the “background performers”.
Genie Lift: A raising platform/crane used mainly for high angle shots and lighting for exterior night shots.
“Go Again”: Repeat the same shot. (Get used to hearing this one).
Honey-wagon: Washroom truck.
Hot Set: The set is ready for shooting and must remain exactly as is for continuity (high priority).
Interior: Indoor shot.
“Lock It Up”: Short for “Be quiet and get ready for cameras to roll
Martini Shot: Last shot before wrap; also “Window Shot”
MOS: Mute On Screen. Camera is rolling but not recording sound.
Pick-Up: Re-filming part of a scene from a specific point in the action.
“Picture’s up”: Rehearsal is complete; cameras will roll on the next action.
“Roll Camera”: Cue to the camera operator to begin rolling film.
“Roll Sound”: Cue to the sound mixer to begin recording sound.
“Rolling”: Film and sound are rolling, action is about to begin. Be quiet and still!
Room Tone: Recording dead air (no dialogue) for matching sound ambience during post-production. Be quiet!
“Speed”: Response heard from Sound Mixer after “Roll Sound”, meaning that themachine is up to speed.
“Stand By”: Hold your positions for a temporary delay, and be prepared for rolling.
Star Wagon: Mobile dressing room for actors
Tow Shot: A sequence where a picture car is towed by a camera truck for traveling car scenes.
“Turn Around”: Reversing the camera angle 180 degrees. This is not to be confused with crew turnaround, which is the
required rest period between workdays.
Wild Sound: Recording specific dialogue or sounds without the camera rolling, for editing purposes; also “wild lines.”
Wrap: The end of the shooting day (finally!).
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