A spokesperson confirmed there will be some layoffs in its Vancouver studio as a result of this shift in business strategy. In addition to the Tiana series, the studio is also scrapping an unannounced feature-length project that was set to go straight to Disney+.
Insiders say that Walt Disney Animation remains committed to releasing one theatrical film per year in addition to other shorts and special projects
The illustration below highlights the algorithms most frequently utilized in our everyday activities: They play a key role in everything we do from online shopping recommendations, navigation apps, social media, email spam filters and even smart home devices.
🔹 𝗦𝗼𝗿𝘁𝗶𝗻𝗴 𝗔𝗹𝗴𝗼𝗿𝗶𝘁𝗵𝗺 – Organize data for efficiency. ➜ Example: Sorting email threads or search results.
🔹 𝗗𝗶𝗷𝗸𝘀𝘁𝗿𝗮’𝘀 𝗔𝗹𝗴𝗼𝗿𝗶𝘁𝗵𝗺 – Finds the shortest path in networks. ➜ Example: Google Maps driving routes.
🔹 𝗧𝗿𝗮𝗻𝘀𝗳𝗼𝗿𝗺𝗲𝗿𝘀 – AI models that understand context and meaning. ➜ Example: ChatGPT, Claude and other LLMs.
The verdict is in: OpenAI’s newest and most capable traditional AI model, GPT-4.5, is big, expensive, and slow, providing marginally better performance than GPT-4o at 30x the cost for input and 15x the cost for output. The new model seems to prove that longstanding rumors of diminishing returns in training unsupervised-learning LLMs were correct and that the so-called “scaling laws” cited by many for years have possibly met their natural end.
Celebrated film editor Walter Murch’s vivid, multifaceted, thought-provoking essay on film editing. Starting with the most basic editing question — Why do cuts work? — Murch takes the reader on a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch revises his popular first edition’s lengthy meditation on digital editing in light of technological changes. Francis Ford Coppola says about this book: “Nothing is as fascinating as spending hours listening to Walter’s theories of life, cinema and the countless tidbits of wisdom that he leaves behind like Hansel and Gretel’s trail of breadcrumbs…….”
Enhanced Capabilities – Improved Prompt Understanding: Achieve more accurate prompt interpretation and stunning video dynamics. – Supports Various Video Ratios: Choose from 16:9, 9:16, 3:4, 4:3, and 1:1 ratios. – Upgraded Styles: Style functionality returns with options like Anime, Realistic, Clay, and 3D. It supports both text-to-video and image-to-video stylization.
New Features – Lipsync: The new Lipsync feature enables users to add text or upload audio, and PixVerse will automatically sync the characters’ lip movements in the generated video based on the text or audio. – Effect: Offers 8 creative effects, including Zombie Transformation, Wizard Hat, Monster Invasion, and other Halloween-themed effects, enabling one-click creativity. – Extend: Extend the generated video by an additional 5-8 seconds, with control over the content of the extended segment.
👍 SOTA Performance: Wan2.1 consistently outperforms existing open-source models and state-of-the-art commercial solutions across multiple benchmarks.
🚀 Supports Consumer-grade GPUs: The T2V-1.3B model requires only 8.19 GB VRAM, making it compatible with almost all consumer-grade GPUs. It can generate a 5-second 480P video on an RTX 4090 in about 4 minutes (without optimization techniques like quantization). Its performance is even comparable to some closed-source models.
🎉 Multiple tasks: Wan2.1 excels in Text-to-Video, Image-to-Video, Video Editing, Text-to-Image, and Video-to-Audio, advancing the field of video generation.
🔮 Visual Text Generation: Wan2.1 is the first video model capable of generating both Chinese and English text, featuring robust text generation that enhances its practical applications.
💪 Powerful Video VAE: Wan-VAE delivers exceptional efficiency and performance, encoding and decoding 1080P videos of any length while preserving temporal information, making it an ideal foundation for video and image generation.
This paper presents an introduction to the color pipelines behind modern feature-film visual-effects and animation.
Authored by Jeremy Selan, and reviewed by the members of the VES Technology Committee including Rob Bredow, Dan Candela, Nick Cannon, Paul Debevec, Ray Feeney, Andy Hendrickson, Gautham Krishnamurti, Sam Richards, Jordan Soles, and Sebastian Sylwan.
The VFX Reference Platform is a set of tool and library versions to be used as a common target platform for building software for the VFX industry. Its purpose is to minimise incompatibilities between different software packages, ease the support burden for integrated pipelines and encourage further adoption of Linux by both studios and software vendors. The Reference Platform is updated annually by a group of software vendors in collaboration with the Visual Effects Society Technology Committee.
To measure the contrast ratio you will need a light meter. The process starts with you measuring the main source of light, or the key light.
Get a reading from the brightest area on the face of your subject. Then, measure the area lit by the secondary light, or fill light. To make sense of what you have just measured you have to understand that the information you have just gathered is in F-stops, a measure of light. With each additional F-stop, for example going one stop from f/1.4 to f/2.0, you create a doubling of light. The reverse is also true; moving one stop from f/8.0 to f/5.6 results in a halving of the light.
