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LATEST POSTS

  • StudioBinder.com – Art History Timeline: A Guide to Western Art Movements

    pIXELsHAM.com
    Dec 15, 2022
    reference

    https://www.studiobinder.com/blog/art-history-timeline

     

    Views : 526
  • How Filmmakers Make Cameras Disappear in mirror shots

    pIXELsHAM.com
    Dec 14, 2022
    photography, production

    Views : 441
  • A.J. Ghergich – MJ and Stable Diffusion 1.5 to imagine polaroids of superheroes in dive bars circa 1982

    pIXELsHAM.com
    Dec 7, 2022
    A.I.

    https://www.linkedin.com/posts/ajghergich_ai-aiart-artificialinspiration-activity-7000506372911968256-ZtP8?utm_source=share&utm_medium=member_desktop

     

    Prompt: Captain Marvel at dive-bar in 1982, polaroid, flash photo, ultra-detailed –q 2 –no hands –v 4

     


    Views : 2,093
  • Color Management Part 14: Combining OCIO and After Effects

    pIXELsHAM.com
    Dec 7, 2022
    colour, production, software

    https://www.provideocoalition.com/color-management-part-14-combining-ocio-and-after-effects/

     

    Views : 505
  • Former WarnerMedia CEO, Jason Kilar: Streaming Wars Will Produce ‘Multiple Business Casualties’ in Coming Years

    pIXELsHAM.com
    Dec 7, 2022
    ves

    https://thestreamable.com/news/former-warnermedia-ceo-streaming-wars-will-produce-multiple-business-casualties-in-coming-years

     

    “In this scenario, no more than three global entertainment companies are likely to attain the streaming-service scale required—300 million global subscriptions at an average of $15 per month—to generate attractive cash flows.”

     

    Kilar made sure to note that he believes that Prime Video and Apple TV+ are exempt from this vision, as those streamers are both tied to giant tech and commerce companies with multiple revenue streams.

    Views : 431
  • Film-Grab.com – a free online library of cinematography

    pIXELsHAM.com
    Dec 7, 2022
    composition, lighting, photography, reference

    https://film-grab.com/

     

     

    Views : 846
  • Scene Referred vs Display Referred color workflows

    pIXELsHAM.com
    Dec 6, 2022
    colour, Featured, production

    Display Referred it is tied to the target hardware, as such it bakes color requirements into every type of media output request.

    Scene Referred uses a common unified wide gamut and targeting audience through CDL and DI libraries instead.
    So that color information stays untouched and only “transformed” as/when needed.

     

     

    Sources:
    – Victor Perez – Color Management Fundamentals & ACES Workflows in Nuke
    – https://z-fx.nl/ColorspACES.pdf
    – Wicus

     

    Views : 2,515
  • chat.openai – A conversational AI system that listens, learns, and challenges

    pIXELsHAM.com
    Dec 6, 2022
    A.I.

    https://chat.openai.com

     

    https://openai.com/blog/chatgpt/

     

     

    Tell me about when Christopher Columbus came to the US in 2015

    This question is a bit tricky because Christopher Columbus died in 1506, so he could not have come to the US in 2015. But let’s pretend for a moment that he did!

    If Columbus arrived in the US in 2015, he would likely be very surprised at the changes that have occurred since he first landed in the “New World” in 1492. For one, he would probably be shocked to find out that the land he “discovered” was actually already inhabited by Native Americans, and that now the United States is a multicultural nation with people from all over the world. He would likely also be amazed by the advances in technology, from the skyscrapers in our cities to the smartphones in our pockets. Lastly, he might be surprised to find out that many people don’t view him as a hero anymore; in fact, some people argue that he was a brutal conqueror who enslaved and killed native people. All in all, it would be a very different experience for Columbus than the one he had over 500 years ago.

    Views : 1,111
  • Lighting Portrait Guide

    pIXELsHAM.com
    Dec 6, 2022
    lighting, photography, production

     

    (more…)
    Views : 531
  • Autodesk open sources Aurora – an interactive path tracing renderer that leverages graphics processing unit (GPU) hardware ray tracing

    pIXELsHAM.com
    Dec 6, 2022
    production, software

    https://forums.autodesk.com/t5/engineering-hub-blog/aurora-a-real-time-path-tracing-renderer-that-enables-fast/ba-p/11322421

     

    https://github.com/autodesk/Aurora

     

    Goals for Aurora

    • Renders noise-free in 50 milliseconds or less per frame.
    • Intended for design iteration (viewport, performance) rather than final frames (production, quality), which are produced from a renderer like Autodesk Arnold.
    • OS-independent: Runs on Windows, Linux, MacOS.
    • Vendor-independent: Runs on GPUs from AMD, Apple, Intel, NVIDIA.

     

    Features

    • Path tracing and the global effects that come with it: soft shadows, reflections, refractions, bounced light, and others.
    • Autodesk Standard Surface materials defined with MaterialX documents.
    • Arbitrary blended layers of materials, which can be used to implement decals.
    • Environment lighting with a wrap-around lat-long image.
    • Triangle geometry with object instancing.
    • Real-time denoising
    • Interactive performance for complex scenes.
    • A USD Hydra render delegate called HdAurora.

     

    Views : 1,456
  • Nickelodeon Studios Production Workers Go Public With Wage Concerns During Union Drive

    pIXELsHAM.com
    Dec 5, 2022
    ves

    https://www.hollywoodreporter.com/business/business-news/nickelodeon-production-workers-union-drive-1235275241/

     

    “With a union, Nickelodeon production workers say they are attempting to boost wages — which several claimed Monday are currently untenable for those living in the Los Angeles area — and lower healthcare costs. “The current pay gap for production roles makes it near impossible to survive in Los Angeles. Many of us have taken the shame of asking our parents for money so we can pay rent and eat,” says production coordinator Ryan Brodsky said in a statement. “We’re working full time for one of the largest corporations on earth and there’s no reason that our parents should be funding this multi-billion dollar corporation.”

    CG asset production coordinator Minh-Chau Nguyen added that “many” colleagues have attempted to earn more by taking on side jobs, working more overtime, taking out loans or asking friends and family for help. “This unsustainable model of working more for less needs to end now. With voluntary recognition from Nickelodeon, my hope is that the future generation of production workers can focus on building their career instead of worrying about unlivable wages, work-life imbalance, and inadequate benefits.”

     

    Views : 296
  • DisneyResearchHub – Production Ready Face Re Aging for Visual Effects and Nuke implementation

    pIXELsHAM.com
    Dec 2, 2022
    A.I., production, software

    Views : 782
  • RealityScan is now free to download on iOS

    pIXELsHAM.com
    Dec 2, 2022
    photogrammetry, software

    https://www.unrealengine.com/en-US/blog/realityscan-is-now-free-to-download-on-ios

     

    Views : 413
  • Peregrine Bokeh moving to Foundry Nuke

    pIXELsHAM.com
    Dec 1, 2022
    production, software

    After 12 years developing and supporting Bokeh we are excited to announce the product has found a new home with Foundry.

     

    https://peregrinelabs.com/blogs/news/bokeh-has-a-new-home

     

    Views : 425
  • Modern car design

    pIXELsHAM.com
    Nov 30, 2022
    design

    or the lack of it..

     

    Views : 590
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FEATURED POSTS

  • Creative director and motion designer Danil Krivoruchko

    pIXELsHAM.com
    Feb 4, 2021
    animation, composition, design

    https://myshli.com/

     

     

     

     

    Views : 714
  • AI and the Law – Netflix : Using Generative AI in Content Production

    pIXELsHAM.com
    Aug 19, 2025
    A.I., Featured, ves

    https://partnerhelp.netflixstudios.com/hc/en-us/articles/43393929218323-Using-Generative-AI-in-Content-Production

    https://www.cartoonbrew.com/business/netflix-generative-ai-use-guidelines-253300.html

    • Temporary Use: AI-generated material can be used for ideation, visualization, and exploration—but is currently considered temporary and not part of final deliverables.
    • Ownership & Rights: All outputs must be carefully reviewed to ensure rights, copyright, and usage are properly cleared before integrating into production.
    • Transparency: Productions are expected to document and disclose how generative AI is used.
    • Human Oversight: AI tools are meant to support creative teams, not replace them—final decision-making rests with human creators.
    • Security & Compliance: Any use of AI tools must align with Netflix’s security protocols and protect confidential production material.
    Views : 13
  • Hercules – The World Smallest Camera Motion Control System

    pIXELsHAM.com
    Jan 6, 2016
    photography

    https://www.kickstarter.com/projects/2044759634/hercules-the-worlds-smallest-camera-motion-control

    Views : 1,070
  • BBC – Wildlife Photographer of the Year 2025, the best pictures so far

    pIXELsHAM.com
    Aug 27, 2025
    colour, composition, lighting, photography

    https://www.bbc.com/news/articles/c70r7plrdndo

    (more…)
    Views : 10
  • 50 Stunning Realistic CG Portraits You Should Have Seen

    pIXELsHAM.com
    Mar 27, 2012
    design

    https://designrfix.com/inspiration/digital-art-60-stunning-realistic-cg-portraits

    https://designrfix.com/inspiration/compilation-amazing-cg-portraits

    Views : 1,471
  • Victor Perez – Sensitometry for VFX Artists | FMX 2023

    pIXELsHAM.com
    Oct 10, 2023
    colour, lighting, photography, production

     

    ColorTransformationAnalysis.nk local copy
    ColorTransformationAnalysis.nk

    Views : 249
Views : 9,572

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