With mamba, it’s easy to set up software environments. A software environment is simply a set of different libraries, applications and their dependencies. The power of environments is that they can co-exist: you can easily have an environment called py27 for Python 2.7 and one called py310 for Python 3.10, so that multiple of your projects with different requirements have their dedicated environments. This is similar to “containers” and images. However, mamba makes it easy to add, update or remove software from the environments.
Playbook3d.com is a diffusion-based render engine that reduces the time to final image with AI. It is accessible via web editor and API with support for scene segmentation and re-lighting, integration with production pipelines and frame-to-frame consistency for image, video, and real-time 3D formats.
7:59-9:50 Justine Bateman: “I mean first I want to give people, help people have a little bit of a definition of what generative AI is— think of it as like a blender and if you have a blender at home and you turn it on, what does it do? It depends on what I put into it, so it cannot function unless it’s fed things.
Then you turn on the blender and you give it a prompt, which is your little spoon, and you get a little spoonful—little Frankenstein spoonful—out of what you asked for. So what is going into the blender? Every but a hundred years of film and television or many, many years of, you know, doctor’s reports or students’ essays or whatever it is.
In the film business, in particular, that’s what we call theft; it’s the biggest violation. And the term that continues to be used is “all we did.” I think the CTO of OpenAI—believe that’s her position; I forget her name—when she was asked in an interview recently what she had to say about the fact that they didn’t ask permission to take it in, she said, “Well, it was all publicly available.”
And I will say this: if you own a car—I know we’re in New York City, so it’s not going to be as applicable—but if I see a car in the street, it’s publicly available, but somehow it’s illegal for me to take it. That’s what we have the copyright office for, and I don’t know how well staffed they are to handle something like this, but this is the biggest copyright violation in the history of that office and the US government”
On March 28, ComfyUI-Manager will be moving to the Comfy-Org GitHub organization as Comfy-Org/ComfyUI-Manager. This represents a natural evolution as they continue working to improve the custom node experience for all ComfyUI users.
What This Means For You
This change is primarily about improving support and development velocity. There are a few practical considerations:
Automatic GitHub redirects will ensure all existing links, git commands, and references to the repository will continue to work seamlessly without any action needed
For developers: Any existing PRs and issues will be transferred to the new repository location
For users: ComfyUI-Manager will continue to function exactly as before—no action needed
For workflow authors: Resources that reference ComfyUI-Manager will continue to work without interruption
AccVideo is a novel efficient distillation method to accelerate video diffusion models with synthetic datset. This method is 8.5x faster than HunyuanVideo.
Open-source fonts packaged into individual NPM packages for self-hosting in web applications. Self-hosting fonts can significantly improve website performance, remain version-locked, work offline, and offer more privacy.
🔸 Gaussian Splats: imagine throwing thousands of tiny ellipsoidal paint drops. They overlap, blend, and create a smooth, photorealistic look. Fast, great for visualization, but less structured for measurements.
🔸 Point Clouds: every dot is a measured hit. LiDAR or photogrammetry gives us millions of them forming a constellation of reality. Amazing for accuracy, but they don’t connect the dots out of the box.
🔸 Meshes: take those points, connect them into triangles, and you get very realistic surfaces. Strong for 3D analysis, simulation as continues watertight models.
