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BREAKING NEWS

LATEST POSTS

  • The True Costs of Working from Home

    pIXELsHAM.com
    Oct 2, 2020
    ves

    www.awn.com/blog/true-costs-working-home

    “…what are the long-term negative ramifications of working from home…

    As entertainment industry freelancers, we know how to deal with these extra costs. When we supply our own equipment for a job, we charge a “kit fee.” A Kit Fee is billed as a daily expense, on top of our working fee, to cover our hard and soft costs such as supplies, software and computers.”

    Views : 656
  • Inside ILM: Creating the Mandalorian’s Razor Crest for Virtual Production

    pIXELsHAM.com
    Oct 1, 2020
    design, production

    Views : 756
  • Blender 3D: Python Scripting – 6 Tricks

    pIXELsHAM.com
    Oct 1, 2020
    blender, python, software

     

    Views : 650
  • Raqi Syed – Cinematic Look Development and Art Direction for Virtual Reality in the VT short ‘Minimum Mass’

    pIXELsHAM.com
    Oct 1, 2020
    colour, lighting, VR

    Views : 845
  • Infographics Templates and Tools

    pIXELsHAM.com
    Oct 1, 2020
    reference, software

    www.canva.com/infographics/templates/

    piktochart.com/formats/infographics/

    www.visme.co/templates/infographics/

    venngage.com/templates

    infogram.com

    Views : 746
  • Threejs.org – Javascript 3D library

    pIXELsHAM.com
    Oct 1, 2020
    software

    https://threejs.org/

     

    https://github.com/mrdoob/three.js/

     

     

    Views : 731
  • Reconstructing Journalistic Scenes in 3D

    pIXELsHAM.com
    Sep 30, 2020
    photogrammetry, software, VR

    rd.nytimes.com/projects/reconstructing-journalistic-scenes-in-3d

    Views : 1,072
  • Cinematographers Blueprint 300dpi poster

    pIXELsHAM.com
    Sep 29, 2020
    composition, Featured, lighting, photography, reference

    The 300dpi digital poster is now available to all PixelSham.com subscribers.

     

    If you have already subscribed and wish a copy, please send me a note through the contact page.

    Views : 1,417
  • Teen with Autism Niam Jain Becomes Art Sensation

    pIXELsHAM.com
    Sep 29, 2020
    design

    Views : 614
  • Are there colors that we CAN’T see?

    pIXELsHAM.com
    Sep 29, 2020
    colour

    Views : 627
  • Macroscan Macroworlds VR

    pIXELsHAM.com
    Sep 26, 2020
    VR

    macroworlds.xyz/

    macroscans.com/home/

    Views : 749
  • Contact and Human Dynamic Motion Capture from Monocular Video

    pIXELsHAM.com
    Sep 26, 2020
    software

    geometry.stanford.edu/projects/human-dynamics-eccv-2020/

    Views : 583
  • Location Textures and Panoramas

    pIXELsHAM.com
    Sep 26, 2020
    production, reference

    locationtextures.com/

    Views : 832
  • Virtual Clone Simulation of Shangai in Unreal Engine by 51World

    pIXELsHAM.com
    Sep 26, 2020
    VR

    https://www.51hitech.com/

     

    https://www.theb1m.com/video/how-china-cloned-shanghai

     

    Views : 849
  • Virtual Production break down – Unreal

    pIXELsHAM.com
    Sep 25, 2020
    hardware, photography, production, software

    www.tvtechnology.com/opinion/virtual-production-can-be-real-for-everybodyheres-how

    https://www.unrealengine.com/en-US/virtual-production

    Views : 2,012
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FEATURED POSTS

  • Why all tech companies are jumping into the AI bandwagon

    pIXELsHAM.com
    Mar 3, 2024
    A.I., ves

    https://www.reddit.com/r/ArtistHate/comments/1b2f2py/long_tumblr_post_explaining_why_all_tech/

     

    Views : 115
  • Nathan Bazley – ICVFX flowchart v2 for Virtual Production

    pIXELsHAM.com
    Jan 23, 2024
    photography, production
    Views : 74
  • The Maya civilization and the color blue

    pIXELsHAM.com
    May 10, 2025
    colour

    https://www.msn.com/en-us/news/world/secret-of-ancient-maya-blue-pigment-revealed-from-cracks-and-clues-on-a-dozen-bowls-from-chich%C3%A9n-itz%C3%A1/ar-AA1EfJpq

    Maya blue is a highly unusual pigment because it is a mix of organic indigo and an inorganic clay mineral called palygorskite.  

    Echoing the color of an azure sky, the indelible pigment was used to accentuate everything from ceramics to human sacrifices in the Late Preclassic period (300 B.C. to A.D. 300).

    A team of researchers led by Dean Arnold, an adjunct curator of anthropology at the Field Museum in Chicago, determined that the key to Maya blue was actually a sacred incense called copal.
    By heating the mixture of indigo, copal and palygorskite over a fire, the Maya produced the unique pigment, he reported at the time.

    Views : 19
  • Watch This Artist Create Beautiful Calligraphy Using Different Pens And Techniques

    pIXELsHAM.com
    Mar 19, 2016
    design

    https://www.instagram.com/kingblottothethird/

    http://digitalsynopsis.com/design/beautiful-calligraphy-videos-king-blotto/

    Views : 1,128
  • Caravaggio: Master Of Light

    pIXELsHAM.com
    Sep 15, 2020
    composition, lighting

    Views : 928
Views : 11,061

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