BREAKING NEWS
LATEST POSTS
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RICOH THETA Z1 51GB camera – 360° images in RAW format
https://theta360.com/en/about/theta/z1.html
- 23MP(6720 x 3360, 7K)
- superior noise reduction performance
- F2.1, F3.5 and F5.6
- 4K videos (3840 x 1920, 29.97fps)
- RAW (DNG) image format
- 360° live streaming in 4K
- record sound from 4 different directions when shooting video
- editing of 360° images in Adobe Photoshop Lightroom Classic CC
- Android™ base system for the OS. Use plug-ins to customize your own THETA.
- Wireless 2.4 GHz: 1 to 11ch or 1 to 13ch
- Wireless 5 GHz: W52 (36 to 48ch, channel bandwidth 20/40/80 MHz supported)
Theta Z1 is Ricoh’s flagship 360 camera that features 1-inch sensors, which are the largest available for dual lens 360 cameras. It has been a highly regarded camera among 360 photographers because of its excellent image quality, color accuracy, and its ability to shoot Raw DNG photos with exceptional exposure latitude.
Bracketing mode 2022
Rquirement: Basic app iOS ver.2.20.0, Android ver.2.5.0, Camera firmware ver.2.10.3
https://community.theta360.guide/t/new-feature-ae-bracket-added-in-the-shooting-mode-z1-only/8247
HDRi for VFX
https://community.theta360.guide/t/create-high-quality-hdri-for-vfx-using-ricoh-theta-z1/4789/4
ND filtering
https://community.theta360.guide/t/neutral-density-solution-for-most-theta-cameras/7331
https://community.theta360.guide/t/long-exposure-nd-filter-for-ricoh-theta/1100
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Fast, optimized ‘for’ pixel loops with OpenCV and Python to create tone mapped HDR images
https://pyimagesearch.com/2017/08/28/fast-optimized-for-pixel-loops-with-opencv-and-python/
https://learnopencv.com/exposure-fusion-using-opencv-cpp-python/
Exposure Fusion is a method for combining images taken with different exposure settings into one image that looks like a tone mapped High Dynamic Range (HDR) image.
FEATURED POSTS
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The Maya civilization and the color blue
Maya blue is a highly unusual pigment because it is a mix of organic indigo and an inorganic clay mineral called palygorskite.
Echoing the color of an azure sky, the indelible pigment was used to accentuate everything from ceramics to human sacrifices in the Late Preclassic period (300 B.C. to A.D. 300).
A team of researchers led by Dean Arnold, an adjunct curator of anthropology at the Field Museum in Chicago, determined that the key to Maya blue was actually a sacred incense called copal.
By heating the mixture of indigo, copal and palygorskite over a fire, the Maya produced the unique pigment, he reported at the time.
