BREAKING NEWS
LATEST POSTS
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MidJourney – Terms Of Service item 10
https://midjourney.gitbook.io/docs/terms-of-service
10. Limitation of Liability and Indemnity
We provide the service as is, and we make no promises or guarantees about it.
You understand and agree that we will not be liable to you or any third party for any loss of profits, use, goodwill, or data, or for any incidental, indirect, special, consequential or exemplary damages, however they arise.
You are responsible for your use of the service. If you harm someone else or get into a dispute with someone else, we will not be involved.
If you knowingly infringe someone else’s intellectual property, and that costs us money, we’re going to come find you and collect that money from you. We might also do other stuff, like try to get a court to make you pay our attorney’s fees. Don’t do it. -
Autodesk open sources RV playback tool to democratize access and drive open standards
https://github.com/AcademySoftwareFoundation/OpenRV
https://adsknews.autodesk.com/news/rv-open-source
“Autodesk is committed to helping creators envision a better world, and having access to great tools allows them do just that. So we are making RV, our Sci-Tech award-winning media review and playback software, open source. Code contributions from RV along with DNEG’s xStudio and Sony Pictures Imageworks’ itview will shape the Open Review Initiative, the Academy Software Foundation’s (ASWF) newest sandbox project to build a unified, open source toolset for playback, review, and approval. ”
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Texel Density measurement unit
Texel density (also referred to as pixel density or texture density) is a measurement unit used to make asset textures cohesive compared to each other throughout your entire world.
It’s measured in pixels per centimeter (ie: 2.56px/cm) or pixels per meter (ie: 256px/m).
https://www.beyondextent.com/deep-dives/deepdive-texeldensity
FEATURED POSTS
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7 Commandments of Film Editing and composition
1. Watch every frame of raw footage twice. On the second time, take notes. If you don’t do this and try to start developing a scene premature, then it’s a big disservice to yourself and to the director, actors and production crew.
2. Nurture the relationships with the director. You are the secondary person in the relationship. Be calm and continually offer solutions. Get the main intention of the film as soon as possible from the director.
3. Organize your media so that you can find any shot instantly.
4. Factor in extra time for renders, exports, errors and crashes.
5. Attempt edits and ideas that shouldn’t work. It just might work. Until you do it and watch it, you won’t know. Don’t rule out ideas just because they don’t make sense in your mind.
6. Spend more time on your audio. It’s the glue of your edit. AUDIO SAVES EVERYTHING. Create fluid and seamless audio under your video.
7. Make cuts for the scene, but always in context for the whole film. Have a macro and a micro view at all times.
