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LATEST POSTS

  • Blender 2.80 – Scales Transform [Animation Nodes]

    pIXELsHAM.com
    Jan 5, 2020
    animation, blender, software

    Views : 1,115
  • Facebuilder by KeenTools tutorial – head modeling

    pIXELsHAM.com
    Jan 5, 2020
    modeling, software

    Views : 1,079
  • The Forbidden colors – Red-Green & Blue-Yellow: The Stunning Colors You Can’t See

    pIXELsHAM.com
    Jan 3, 2020
    colour

    www.livescience.com/17948-red-green-blue-yellow-stunning-colors.html

     

     

    While the human eye has red, green, and blue-sensing cones, those cones are cross-wired in the retina to produce a luminance channel plus a red-green and a blue-yellow channel, and it’s data in that color space (known technically as “LAB”) that goes to the brain. That’s why we can’t perceive a reddish-green or a yellowish-blue, whereas such colors can be represented in the RGB color space used by digital cameras.

     

    https://en.rockcontent.com/blog/the-use-of-yellow-in-data-design

    The back of the retina is covered in light-sensitive neurons known as cone cells and rod cells. There are three types of cone cells, each sensitive to different ranges of light. These ranges overlap, but for convenience the cones are referred to as blue (short-wavelength), green (medium-wavelength), and red (long-wavelength). The rod cells are primarily used in low-light situations, so we’ll ignore those for now.

     

    When light enters the eye and hits the cone cells, the cones get excited and send signals to the brain through the visual cortex. Different wavelengths of light excite different combinations of cones to varying levels, which generates our perception of color. You can see that the red cones are most sensitive to light, and the blue cones are least sensitive. The sensitivity of green and red cones overlaps for most of the visible spectrum.

     

    Here’s how your brain takes the signals of light intensity from the cones and turns it into color information. To see red or green, your brain finds the difference between the levels of excitement in your red and green cones. This is the red-green channel.

     

    To get “brightness,” your brain combines the excitement of your red and green cones. This creates the luminance, or black-white, channel. To see yellow or blue, your brain then finds the difference between this luminance signal and the excitement of your blue cones. This is the yellow-blue channel.

     

    From the calculations made in the brain along those three channels, we get four basic colors: blue, green, yellow, and red. Seeing blue is what you experience when low-wavelength light excites the blue cones more than the green and red.

     

    Seeing green happens when light excites the green cones more than the red cones. Seeing red happens when only the red cones are excited by high-wavelength light.

     

    Here’s where it gets interesting. Seeing yellow is what happens when BOTH the green AND red cones are highly excited near their peak sensitivity. This is the biggest collective excitement that your cones ever have, aside from seeing pure white.

     

    Notice that yellow occurs at peak intensity in the graph to the right. Further, the lens and cornea of the eye happen to block shorter wavelengths, reducing sensitivity to blue and violet light.

    Views : 2,145
  • How to Make High Performance Sound Absorption Panels for $5

    pIXELsHAM.com
    Jan 2, 2020
    cool, production

    Views : 1,069
  • Maya Plugins for Modeling

    pIXELsHAM.com
    Jan 1, 2020
    modeling, software

    Views : 1,098
  • the most amazing drone holographic light show in China

    pIXELsHAM.com
    Jan 1, 2020
    cool, hardware, production

    超震撼无人机编队表演集合

     

    Views : 1,043
  • Ex-Google exec Ross LaJeunesse savages firm on human rights

    pIXELsHAM.com
    Jan 1, 2020
    ves

    www.bbc.com/news/business-50976764

    Views : 956
  • BLENDER MESH DEFORMERS DISTRIBUTORS

    pIXELsHAM.com
    Dec 29, 2019
    blender, software

    Views : 849
  • Sia – Angel By The Wings

    pIXELsHAM.com
    Dec 29, 2019
    music

    Views : 865
  • The 10 essential addons for architectural design that come with Blender 2.8.x

    pIXELsHAM.com
    Dec 28, 2019
    blender, software

    Views : 957
  • DNeg possibly charged with fraud

    pIXELsHAM.com
    Dec 28, 2019
    ves

    An Oscar-winning visual effects studio aiming for a £600 million stock market flotation has become entangled in an alleged scheme to defraud the taxman.

    DNEG, which has worked on films such as No Time to Die and Captain Marvel, could have to pay HM Revenue & Customs more than £10 million in back taxes and penalties.

    https://www.thetimes.co.uk/article/visual-effects-studio-reveals-tax-raid-vjb3pj8s3

    Views : 1,437
  • Stella the Dog Talks w/ Buttons

    pIXELsHAM.com
    Dec 27, 2019
    cool

    Views : 898
  • A.I. – Deeper metrics of Christmas by Jim Meskimen

    pIXELsHAM.com
    Dec 27, 2019
    A.I.

    Views : 1,100
  • Hayao Miyazaki – How Animation Comes To Life

    pIXELsHAM.com
    Dec 25, 2019
    animation, design

    Views : 973
  • Superman – The Golden Age of Animation

    pIXELsHAM.com
    Dec 25, 2019
    animation, design

    Views : 960
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FEATURED POSTS

  • Alibaba Animate Anyone 2

    pIXELsHAM.com
    Feb 15, 2025
    A.I., animation

    https://humanaigc.github.io/animate-anyone-2

    https://arxiv.org/pdf/2502.06145

    Views : 403
  • Photography basics: f-stop vs t-stop

    pIXELsHAM.com
    Mar 3, 2016
    photography

    http://petapixel.com/2014/09/30/your-lens-aperture-might-be-lying-to-you-or-the-difference-between-f-stops-and-t-stops/

    Understanding Lenses: Aperture, F-Stops & T-Stops

     

    F-stops are the theoretical amount of light transmitted by the lens; t-stops, the actual amount. The difference is about 1/3 stop, often more with zooms.

    f-stop is the measurement of the opening (aperture) of the lens in relation to its focal length (the distance between the lens and the sensor).  The math is focal length / lens diameter.
    It mainly controls depth of field, given a known amount of light.

    https://www.scantips.com/lights/fstop2.html

     

    The smaller f-stop (larger aperture) the more depth of field and light.

    Note that the numbers in an aperture—f/2.8, f/8—signify a certain amount of light, but that doesn’t necessarily mean that’s directly how much light is getting to your sensor.

    T stop on the other hand is the measurement of how much light passes through aforementioned opening and actually makes it to the sensor. There is no such a lens which does not steal some light on the way to the sensor.
    In short, is the corrected f-stop number you want to collect, based on the amount of light reaching the sensor after bouncing through all the lenses, to know exactly what is making it to film. The smaller, the more light.

    http://www.dxomark.com/Lenses/Ratings/Optical-Metric-Scores

    Note that exposure stop is a measurement of sensibility to light not of lens capabilities.

    Views : 3,430
  • How to Convert Temperature (K) to RGB: Algorithm and Sample Code

    pIXELsHAM.com
    Aug 30, 2021
    colour, lighting, production, software

    tannerhelland.com/2012/09/18/convert-temperature-rgb-algorithm-code.html

    www.vendian.org/mncharity/dir3/blackbody/UnstableURLs/bbr_color.html

    Views : 930
  • Formula1 winners – 1950-2013

    pIXELsHAM.com
    Apr 3, 2019
    design, reference

    Views : 1,467
  • Roger Deakins on “Learning to Light” — Cinematography Techniques

    pIXELsHAM.com
    Oct 12, 2020
    composition, lighting, photography

     

    Views : 787
Views : 18,025

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