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14 Signs Of An Adaptable Person
www.forbes.com/sites/jeffboss/2015/09/03/14-signs-of-an-adaptable-person/#46bd90e016ea
1. Adaptable people experiment.
2. Adaptable people see opportunity where others see failure.
3. Adaptable people are resourceful.
4. Adaptable people think ahead.
5. Adaptable people don’t whine.
6. Adaptable people talk to themselves.
7. Adaptable people don’t blame.
8. Adaptable people don’t claim fame.
9. Adaptable people are curious.
10. Adaptable people adapt.
11. Adaptable people stay current.
12. Adaptable people see systems.
13. Adaptable people open their minds.
14. Adaptable people know what they stand for.
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Convert between light exposure and intensity
import math,sys def Exposure2Intensity(exposure): exp = float(exposure) result = math.pow(2,exp) print(result) Exposure2Intensity(0) def Intensity2Exposure(intensity): inarg = float(intensity) if inarg == 0: print("Exposure of zero intensity is undefined.") return if inarg < 1e-323: inarg = max(inarg, 1e-323) print("Exposure of negative intensities is undefined. Clamping to a very small value instead (1e-323)") result = math.log(inarg, 2) print(result) Intensity2Exposure(0.1)
Why Exposure?
Exposure is a stop value that multiplies the intensity by 2 to the power of the stop. Increasing exposure by 1 results in double the amount of light.
Artists think in “stops.” Doubling or halving brightness is easy math and common in grading and look-dev.
Exposure counts doublings in whole stops:- +1 stop = ×2 brightness
- −1 stop = ×0.5 brightness
This gives perceptually even controls across both bright and dark values.
Why Intensity?
Intensity is linear.
It’s what render engines and compositors expect when:- Summing values
- Averaging pixels
- Multiplying or filtering pixel data
Use intensity when you need the actual math on pixel/light data.
Formulas (from your Python)
- Intensity from exposure: intensity = 2**exposure
- Exposure from intensity: exposure = log₂(intensity)
Guardrails:
- Intensity must be > 0 to compute exposure.
- If intensity = 0 → exposure is undefined.
- Clamp tiny values (e.g.
1e−323
) before using log₂.
Use Exposure (stops) when…
- You want artist-friendly sliders (−5…+5 stops)
- Adjusting look-dev or grading in even stops
- Matching plates with quick ±1 stop tweaks
- Tweening brightness changes smoothly across ranges
Use Intensity (linear) when…
- Storing raw pixel/light values
- Multiplying textures or lights by a gain
- Performing sums, averages, and filters
- Feeding values to render engines expecting linear data
Examples
- +2 stops → 2**2 = 4.0 (×4)
- +1 stop → 2**1 = 2.0 (×2)
- 0 stop → 2**0 = 1.0 (×1)
- −1 stop → 2**(−1) = 0.5 (×0.5)
- −2 stops → 2**(−2) = 0.25 (×0.25)
- Intensity 0.1 → exposure = log₂(0.1) ≈ −3.32
Rule of thumb
Think in stops (exposure) for controls and matching.
Compute in linear (intensity) for rendering and math. -
Ennio Morricone RIP
https://www.hollywoodreporter.com/news/ennio-morricone-dead-prolific-italian-composer-was-91-858358
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Pixomondo CEO Jonny Slow fires a stark warning to the VFX business
deadline.com/2020/07/post-production-covid-catastrophe-game-of-thrones-vfx-outfit-1202976057/
“Productions shutdown is now catching up and a lack of new business is leaving companies at serious risk.
“France-based VFX giant Technicolor SA filed for Chapter 15 in U.S. bankruptcy court as the company attempted to steady the ship and restructure some of its $1.58BN debt… The Pixomondo boss thinks that the Technicolor situation is just the tip of the iceberg.
“Post-production is a bit like an airline, if you haven’t got any passengers, you burn through your cash very quickly – most companies will struggle to stay solvent for more than a couple of months.”
“He notes the scale of a company such as five-time Oscar-winning studio DNEG. “They have 6,000 employees and $300M debt. When revenues stops – and it must because nothing is being shot – they have to find quite a lot of money to keep the lights on.”
“There’s a stalemate and that’s making the potential second lockdown news so depressing. It’s fuelling cautiousness…”
“There’s a real need for cash in this part of the sector and the payment terms need to be amended accordingly.”
“Long term I am pretty positive on the outlook for VFX. If travelling is harder, and if it’s harder to do crowd scenes, and if producers can only get insurance for working inside studios, there are opportunities for VFX companies,”
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World’s Biggest Data Breaches & Hacks
informationisbeautiful.net/visualizations/worlds-biggest-data-breaches-hacks/
Check if your email address has been recorded through these leaks:
haveibeenpwned.com/ -
FEATURED POSTS
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Laowa 25mm f/2.8 2.5-5X Ultra Macro vs 100mm f/2.8 2x lens
https://gilwizen.com/laowa-25mm-ultra-macro-lens-review/
https://www.cameralabs.com/laowa-25mm-f2-8-2-5-5x-ultra-macro-review/
- Pros:
– Lightweight, small size for a high-magnification macro lens
– Highest magnification lens available for non-Canon users
– Excellent sharpness and image quality
– Consistent working distance
– Narrow lens barrel makes it easy to find and track subject
– Affordable
- Cons:
– Manual, no auto aperture control
– No filter thread (but still customizable with caution)
– Dark viewfinder when closing aperture makes focusing difficult in poor light conditions
– Magnification range is short 2.5-5x compared to the competition
Combining a Laowa 25mm 2.5x lens with a Kenko 12mm extension tube
To find the combined magnification when using a Laowa 25mm 2.5x lens with a 12mm Kenko extension tube, given the magnification of the lens itself, the extension tube length, and the combined setup, you can calculate the total magnification.
First, consider the magnification of the lens itself, which is 2.5x.
Then, to find the total magnification when the extension tube is attached, you can use the formula:
Total Magnification = Magnification of the Lens + (Magnification of the Lens * Extension Tube Length / Focal Length of the Lens)
In this case, the extension tube length is 12mm, and the focal length of the lens is 25mm. Using the values:
Total Magnification with 2.5x = 2.5 + (2.5 * 12 / 25) = 2.5 + (30 / 25) = 2.5 + 1.2 = 3.7x
Total Magnification with 5x = 5 + (5 * 12 / 25) = 5 + (60 / 25) = 5 + 2.4 = 7.4x
- Pros:
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RawTherapee – a free, open source, cross-platform raw image and HDRi processing program
5.10 of this tool includes excellent tools to clean up cr2 and cr3 used on set to support HDRI processing.
Converting raw to AcesCG 32 bit tiffs with metadata.