• 7 Commandments of Film Editing and composition

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    1. Watch every frame of raw footage twice. On the second time, take notes. If you don’t do this and try to start developing a scene premature, then it’s a big disservice to yourself and to the director, actors and production crew.

     

    2. Nurture the relationships with the director. You are the secondary person in the relationship. Be calm and continually offer solutions. Get the main intention of the film as soon as possible from the director.

     

    3. Organize your media so that you can find any shot instantly.

     

    4. Factor in extra time for renders, exports, errors and crashes.

     

    5. Attempt edits and ideas that shouldn’t work. It just might work. Until you do it and watch it, you won’t know. Don’t rule out ideas just because they don’t make sense in your mind.

     

    6. Spend more time on your audio. It’s the glue of your edit. AUDIO SAVES EVERYTHING. Create fluid and seamless audio under your video.

     

    7. Make cuts for the scene, but always in context for the whole film. Have a macro and a micro view at all times.

  • The Public Domain Is Working Again — No Thanks To Disney

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    www.cartoonbrew.com/law/the-public-domain-is-working-again-no-thanks-to-disney-169658.html

    The law protects new works from unauthorized copying while allowing artists free rein on older works.

    The Copyright Act of 1909 used to govern copyrights. Under that law, a creator had a copyright on his creation for 28 years from “publication,” which could then be renewed for another 28 years. Thus, after 56 years, a work would enter the public domain.

    However, the Congress passed the Copyright Act of 1976, extending copyright protection for works made for hire to 75 years from publication.

    Then again, in 1998, Congress passed the Sonny Bono Copyright Term Extension Act (derided as the “Mickey Mouse Protection Act” by some observers due to the Walt Disney Company’s intensive lobbying efforts), which added another twenty years to the term of copyright.

    it is because Snow White was in the public domain that it was chosen to be Disney’s first animated feature.
    Ironically, much of Disney’s legislative lobbying over the last several decades has been focused on preventing this same opportunity to other artists and filmmakers.

    The battle in the coming years will be to prevent further extensions to copyright law that benefit corporations at the expense of creators and society as a whole.