• The Public Domain Is Working Again — No Thanks To Disney

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    www.cartoonbrew.com/law/the-public-domain-is-working-again-no-thanks-to-disney-169658.html

    The law protects new works from unauthorized copying while allowing artists free rein on older works.

    The Copyright Act of 1909 used to govern copyrights. Under that law, a creator had a copyright on his creation for 28 years from “publication,” which could then be renewed for another 28 years. Thus, after 56 years, a work would enter the public domain.

    However, the Congress passed the Copyright Act of 1976, extending copyright protection for works made for hire to 75 years from publication.

    Then again, in 1998, Congress passed the Sonny Bono Copyright Term Extension Act (derided as the “Mickey Mouse Protection Act” by some observers due to the Walt Disney Company’s intensive lobbying efforts), which added another twenty years to the term of copyright.

    it is because Snow White was in the public domain that it was chosen to be Disney’s first animated feature.
    Ironically, much of Disney’s legislative lobbying over the last several decades has been focused on preventing this same opportunity to other artists and filmmakers.

    The battle in the coming years will be to prevent further extensions to copyright law that benefit corporations at the expense of creators and society as a whole.

  • AnimationXpress.com interviews Daniele Tosti for TheCgCareer.com channel

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     https://www.animationxpress.com/vfx/meet-daniele-tosti-a-senior-cg-artist-who-is-on-a-mission-to-inspire-the-next-generation-of-artists/

    You’ve been in the VFX Industry for over a decade. Tell us about your journey.

    It all started with my older brother giving me a Commodore64 personal computer as a gift back in the late 80′. I realised then I could create something directly from my imagination using this new digital media format. And, eventually, make a living in the process.
    That led me to start my professional career in 1990. From live TV to games to animation. All the way to live action VFX in the recent years.

    I really never stopped to crave to create art since those early days. And I have been incredibly fortunate to work with really great talent along the way, which made my journey so much more effective.

     

    What inspired you to pursue VFX as a career?

    An incredible combination of opportunities, really. The opportunity to express myself as an artist and earn money in the process. The opportunity to learn about how the world around us works and how best solve problems. The opportunity to share my time with other talented people with similar passions. The opportunity to grow and adapt to new challenges. The opportunity to develop something that was never done before. A perfect storm of creativity that fed my continuous curiosity about life and genuinely drove my inspiration.

     

    Tell us about the projects you’ve particularly enjoyed working on in your career

    (more…)
  • Space bodies’ components and light spectroscopy

    www.plutorules.com/page-111-space-rocks.html

    This help’s us understand the composition of components in/on solar system bodies.

    Dips in the observed light spectrum, also known as, lines of absorption occur as gasses absorb energy from light at specific points along the light spectrum.

    These dips or darkened zones (lines of absorption) leave a finger print which identify elements and compounds.

    In this image the dark absorption bands appear as lines of emission which occur as the result of emitted not reflected (absorbed) light.

     

     

     

    Lines of absorption

     
    Lines of emission