FlashVSR is a streaming, one-step diffusion-based video super-resolution framework with block-sparse attention and a Tiny Conditional Decoder. It reaches ~17 FPS at 768×1408 on a single A100 GPU. A Locality-Constrained Attention design further improves generalization and perceptual quality on ultra-high-resolution videos.
Stable Video Infinity (SVI) is able to generate ANY-length videos with high temporal consistency, plausible scene transitions, and controllable streaming storylines in ANY domains.
OpenSVI: Everything is open-sourced: training & evaluation scripts, datasets, and more.
Infinite Length: No inherent limit on video duration; generate arbitrarily long stories (see the 10‑minute “Tom and Jerry” demo).
Versatile: Supports diverse in-the-wild generation tasks: multi-scene short films, single‑scene animations, skeleton-/audio-conditioned generation, cartoons, and more.
Efficient: Only LoRA adapters are tuned, requiring very little training data: anyone can make their own SVI easily.
VISTA is a modular, configurable framework for optimizing text-to-video generation. Given a user video prompt P, it produces an optimized video V* and its refined prompt P* through two phases: (i) Initialization and (ii) Self-Improvement, inspired by the human video optimization process via prompting. During (i), the prompt is parsed and planned into variants to generate candidate videos (Step 1), after which the best video-prompt pair is selected (Step 2). In (ii), the system generates multi-dimensional, multi-agent critiques (Step 3), refines the prompt (Step 4), produces new videos, and reselects the champion pair (Step 2). This phase continues until a stopping criterion is met or the maximum number of iterations is reached.
We introduce a principle, Oz, for displaying color imagery: directly controlling the human eye’s photoreceptor activity via cell-by-cell light delivery. Theoretically, novel colors are possible through bypassing the constraints set by the cone spectral sensitivities and activating M cone cells exclusively. In practice, we confirm a partial expansion of colorspace toward that theoretical ideal. Attempting to activate M cones exclusively is shown to elicit a color beyond the natural human gamut, formally measured with color matching by human subjects. They describe the color as blue-green of unprecedented saturation. Further experiments show that subjects perceive Oz colors in image and video form. The prototype targets laser microdoses to thousands of spectrally classified cones under fixational eye motion. These results are proof-of-principle for programmable control over individual photoreceptors at population scale.
SeC (Segment Concept) is a breakthrough in video object segmentation that shifts from simple feature matching to high-level conceptual understanding. Unlike SAM 2.1 which relies primarily on visual similarity, SeC uses a Large Vision-Language Model (LVLM) to understand what an object is conceptually, enabling robust tracking through:
Semantic Understanding: Recognizes objects by concept, not just appearance
Scene Complexity Adaptation: Automatically balances semantic reasoning vs feature matching
Superior Robustness: Handles occlusions, appearance changes, and complex scenes better than SAM 2.1
SOTA Performance: +11.8 points over SAM 2.1 on SeCVOS benchmark
How SeC Works
Visual Grounding: You provide initial prompts (points/bbox/mask) on one frame
Concept Extraction: SeC’s LVLM analyzes the object to build a semantic understanding
Smart Tracking: Dynamically uses both semantic reasoning and visual features
Keyframe Bank: Maintains diverse views of the object for robust concept understanding
The result? SeC tracks objects more reliably through challenging scenarios like rapid appearance changes, occlusions, and complex multi-object scenes.
The law protects new works from unauthorized copying while allowing artists free rein on older works.
The Copyright Act of 1909 used to govern copyrights. Under that law, a creator had a copyright on his creation for 28 years from “publication,” which could then be renewed for another 28 years. Thus, after 56 years, a work would enter the public domain.
However, the Congress passed the Copyright Act of 1976, extending copyright protection for works made for hire to 75 years from publication.
Then again, in 1998, Congress passed the Sonny Bono Copyright Term Extension Act (derided as the “Mickey Mouse Protection Act” by some observers due to the Walt Disney Company’s intensive lobbying efforts), which added another twenty years to the term of copyright.
it is because Snow White was in the public domain that it was chosen to be Disney’s first animated feature.
Ironically, much of Disney’s legislative lobbying over the last several decades has been focused on preventing this same opportunity to other artists and filmmakers.
The battle in the coming years will be to prevent further extensions to copyright law that benefit corporations at the expense of creators and society as a whole.
