Today camdkit supports mapping (or importing, if you will) of metadata from five popular digital cinema cameras into a canonical form; it also supports a mapping of the metadata defined in the F4 protocol used by tracking system components from Mo-Sys.
OpenTrackIO defines the schema of JSON samples that contain a wide range of metadata about the device, its transform(s), associated camera and lens. The full schema is given below and can be downloaded here.
🔹 𝗩𝗲𝗼 2 – After the legendary prompt adherence of Veo 2 T2V, I have to say I2V is a little disappointing, especially when it comes to camera moves. You often get those Sora-like jump-cuts too which can be annoying.
🔹 𝗞𝗹𝗶𝗻𝗴 1.6 Pro – Still the one to beat for I2V, both for image quality and prompt adherence. It’s also a lot cheaper than Veo 2. Generations can be slow, but are usually worth the wait.
🔹 𝗥𝘂𝗻𝘄𝗮𝘆 Gen 3 – Useful for certain shots, but overdue an update. The worst performer here by some margin. Bring on Gen 4!
🔹 𝗟𝘂𝗺𝗮 Ray 2 – I love the energy and inventiveness Ray 2 brings, but those came with some image quality issues. I want to test more with this model though for sure.
RigAnything was developed through a collaboration between UC San Diego, Adobe Research, and Hillbot Inc. It addresses one of 3D animation’s most persistent challenges: automatic rigging.
Template-Free Autoregressive Rigging. A transformer-based model that sequentially generates skeletons without predefined templates, enabling automatic rigging across diverse 3D assets through probabilistic joint prediction and skinning weight assignment.
Support Arbitrary Input Pose. Generates high-quality skeletons for shapes in any pose through online joint pose augmentation during training, eliminating the common rest-pose requirement of existing methods and enabling broader real-world applications.
Fast Rigging Speed. Achieves 20x faster performance than existing template-based methods, completing rigging in under 2 seconds per shape.
All-in-one AI platform for video creation, including voiceover, lipsync, SFX, and editing. One click turn text to video & image to video. Turns idea into stunning video in minutes. Check Pricing Details. Start For Free. All-In-One Platform.
SkyReels-V1 is purpose-built for AI short video production based on Hynyuan. It achieves cinematic-grade micro-expression performances with 33 nuanced facial expressions and 400+ natural body movements that can be freely combined. The model integrates film-quality lighting aesthetics, generating visually stunning compositions and textures through text-to-video or image-to-video conversion – outperforming all existing open-source models across key metrics.
The model generates videos up to 204 frames, using a high-compression Video-VAE (16×16 spatial, 8x temporal). It processes English and Chinese prompts via bilingual text encoders. A 3D full-attention DiT, trained with Flow Matching, denoises latent frames conditioned on text and timesteps. A video-based DPO further reduces artifacts, enhancing realism and smoothness.
sRGB: A standard “web”/computer-display RGB color space defined by IEC 61966-2-1. It’s used for most monitors, cameras, printers, and the vast majority of images on the Internet.
Rec. 709: An HD-video color space defined by ITU-R BT.709. It’s the go-to standard for HDTV broadcasts, Blu-ray discs, and professional video pipelines.
Why they exist
sRGB: Ensures consistent colors across different consumer devices (PCs, phones, webcams).
Rec. 709: Ensures consistent colors across video production and playback chains (cameras → editing → broadcast → TV).
What you’ll see
On your desktop or phone, images tagged sRGB will look “right” without extra tweaking.
On an HDTV or video-editing timeline, footage tagged Rec. 709 will display accurate contrast and hue on broadcast-grade monitors.
A light wave that is vibrating in more than one plane is referred to as unpolarized light. …
Polarized light waves are light waves in which the vibrations occur in a single plane. The process of transforming unpolarized light into polarized light is known as polarization.
The most common use of polarized technology is to reduce lighting complexity on the subject. Details such as glare and hard edges are not removed, but greatly reduced.
