BREAKING NEWS
LATEST POSTS
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GPT-Image-1 API now available through ComfyUI with Dall-E integration
https://blog.comfy.org/p/comfyui-now-supports-gpt-image-1
https://docs.comfy.org/tutorials/api-nodes/openai/gpt-image-1
https://openai.com/index/image-generation-api
• Prompt GPT-Image-1 directly in ComfyUI using text or image inputs
• Set resolution and quality
• Supports image editing + transparent backgrounds
• Seamlessly mix with local workflows like WAN 2.1, FLUX Tools, and more
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Tencent Hunyuan3D 2.5 – Transform images and text into 3D models with ultra-high-definition precision
What makes it special?
• Massive 10B parameter geometric model with 10x more mesh faces.
• High-quality textures with industry-first multi-view PBR generation.
• Optimized skeletal rigging for streamlined animation workflows.
• Flexible pipeline for text-to-3D and image-to-3D generation.
They’re making it accessible to everyone:
• Open-source code and pre-trained models.
• Easy-to-use API and intuitive web interface.
• Free daily quota doubled to 20 generations!
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Alibaba 3DV-TON – A novel diffusion model for HQ and temporally consistent video
https://arxiv.org/pdf/2504.17414
Video try-on replaces clothing in videos with target garments. Existing methods struggle to generate high-quality and temporally consistent results when handling complex clothing patterns and diverse body poses. We present 3DV-TON, a novel diffusion-based framework for generating high-fidelity and temporally consistent video try-on results. Our approach employs generated animatable textured 3D meshes as explicit frame-level guidance, alleviating the issue of models over-focusing on appearance fidelity at the expanse of motion coherence. This is achieved by enabling direct reference to consistent garment texture movements throughout video sequences. The proposed method features an adaptive pipeline for generating dynamic 3D guidance: (1) selecting a keyframe for initial 2D image try-on, followed by (2) reconstructing and animating a textured 3D mesh synchronized with original video poses. We further introduce a robust rectangular masking strategy that successfully mitigates artifact propagation caused by leaking clothing information during dynamic human and garment movements. To advance video try-on research, we introduce HR-VVT, a high-resolution benchmark dataset containing 130 videos with diverse clothing types and scenarios. Quantitative and qualitative results demonstrate our superior performance over existing methods.
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FramePack – Packing Input Frame Context in Next-Frame Prediction Models for Offline Video Generation With Low Resource Requirements
https://lllyasviel.github.io/frame_pack_gitpage/
- Diffuse thousands of frames at full fps-30 with 13B models using 6GB laptop GPU memory.
- Finetune 13B video model at batch size 64 on a single 8xA100/H100 node for personal/lab experiments.
- Personal RTX 4090 generates at speed 2.5 seconds/frame (unoptimized) or 1.5 seconds/frame (teacache).
- No timestep distillation.
- Video diffusion, but feels like image diffusion.
Image-to-5-Seconds (30fps, 150 frames)
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Anthony Sauzet – ProceduralMaya
A Maya script that introduces a node-based graph system for procedural modeling, like Houdini
https://github.com/AnthonySTZ/ProceduralMaya
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11 Public Speaking Strategies
What do people report as their #1 greatest fear?
It’s not death….
It’s public speaking.
Glossophobia, the fear of public speaking, has been a daunting obstacle for me for years.
11 confidence-boosting tips
1/ The 5-5-5 Rule
→ Scan 5 faces; Hold each gaze for 5 seconds.
→ Repeat every 5 minutes.
→ Creates an authentic connection.
2/Power Pause
→ Dead silence for 3 seconds after key points.
→ Let your message land.
3/ The 3-Part Open
→ Hook with a question.
→ Share a story.
→ State your promise.
4/ Palm-Up Principle
→ Open palms when speaking = trustworthy.
→ Pointing fingers = confrontational.
5/ The 90-Second Reset
→ Feel nervous? Excuse yourself.
→ 90 seconds of deep breathing reset your nervous system.
6/ Rule of Three
→ Structure key points in threes.
→ Our brains love patterns.
7/ 2-Minute Story Rule
→ Keep stories under 2 minutes.
→ Any longer, you lose them.
8/ The Lighthouse Method
→ Plant “anchor points” around the room.
→ Rotate eye contact between them.
→ Looks natural, feels structured.
9/ The Power Position
→ Feet shoulder-width apart.
→ Hands relaxed at sides.
→ Projects confidence even when nervous.
10/ The Callback Technique
→ Reference earlier points later in your talk.
→ Creates a narrative thread.
→ Audiences love connections.
11/ The Rehearsal Truth
→ Practice the opening 3x more than the rest.
→ Nail the first 30 seconds; you’ll nail the talk. -
FreeCodeCamp – Train Your Own LLM
https://www.freecodecamp.org/news/train-your-own-llm
Ever wondered how large language models like ChatGPT are actually built? Behind these impressive AI tools lies a complex but fascinating process of data preparation, model training, and fine-tuning. While it might seem like something only experts with massive resources can do, it’s actually possible to learn how to build your own language model from scratch. And with the right guidance, you can go from loading raw text data to chatting with your very own AI assistant.
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Alibaba FloraFauna.ai – AI Collaboration canvas
FLORA aims to make generative creation accessible, removing the need for advanced technical skills or hardware. Drag, drop, and connect hand curated AI models to build your own creative workflows with a high degree of creative control.
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Runway introduces Gen-4 – Generate consistent elements by controlling input elements
https://runwayml.com/research/introducing-runway-gen-4
With Gen-4, you are now able to precisely generate consistent characters, locations and objects across scenes. Simply set your look and feel and the model will maintain coherent world environments while preserving the distinctive style, mood and cinematographic elements of each frame. Then, regenerate those elements from multiple perspectives and positions within your scenes.
𝗛𝗲𝗿𝗲’𝘀 𝘄𝗵𝘆 𝗚𝗲𝗻-𝟰 𝗰𝗵𝗮𝗻𝗴𝗲𝘀 𝗲𝘃𝗲𝗿𝘆𝘁𝗵𝗶𝗻𝗴:
✨ 𝗨𝗻𝘄𝗮𝘃𝗲𝗿𝗶𝗻𝗴 𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗖𝗼𝗻𝘀𝗶𝘀𝘁𝗲𝗻𝗰𝘆
• Characters and environments 𝗻𝗼𝘄 𝘀𝘁𝗮𝘆 𝗳𝗹𝗮𝘄𝗹𝗲𝘀𝘀𝗹𝘆 𝗰𝗼𝗻𝘀𝗶𝘀𝘁𝗲𝗻𝘁 across shots—even as lighting shifts or angles pivot—all from one reference image. No more jarring transitions or mismatched details.
✨ 𝗗𝘆𝗻𝗮𝗺𝗶𝗰 𝗠𝘂𝗹𝘁𝗶-𝗔𝗻𝗴𝗹𝗲 𝗠𝗮𝘀𝘁𝗲𝗿𝘆
• Generate cohesive scenes from any perspective without manual tweaks. Gen-4 intuitively 𝗰𝗿𝗮𝗳𝘁𝘀 𝗺𝘂𝗹𝘁𝗶-𝗮𝗻𝗴𝗹𝗲 𝗰𝗼𝘃𝗲𝗿𝗮𝗴𝗲, 𝗮 𝗹𝗲𝗮𝗽 𝗽𝗮𝘀𝘁 𝗲𝗮𝗿𝗹𝗶𝗲𝗿 𝗺𝗼𝗱𝗲𝗹𝘀 that struggled with spatial continuity.
✨ 𝗣𝗵𝘆𝘀𝗶𝗰𝘀 𝗧𝗵𝗮𝘁 𝗙𝗲𝗲𝗹 𝗔𝗹𝗶𝘃𝗲
• Capes ripple, objects collide, and fabrics drape with startling realism. 𝗚𝗲𝗻-𝟰 𝘀𝗶𝗺𝘂𝗹𝗮𝘁𝗲𝘀 𝗿𝗲𝗮𝗹-𝘄𝗼𝗿𝗹𝗱 𝗽𝗵𝘆𝘀𝗶𝗰𝘀, breathing life into scenes that once demanded painstaking manual animation.
✨ 𝗦𝗲𝗮𝗺𝗹𝗲𝘀𝘀 𝗦𝘁𝘂𝗱𝗶𝗼 𝗜𝗻𝘁𝗲𝗴𝗿𝗮𝘁𝗶𝗼𝗻
• Outputs now blend effortlessly with live-action footage or VFX pipelines. 𝗠𝗮𝗷𝗼𝗿 𝘀𝘁𝘂𝗱𝗶𝗼𝘀 𝗮𝗿𝗲 𝗮𝗹𝗿𝗲𝗮𝗱𝘆 𝗮𝗱𝗼𝗽𝘁𝗶𝗻𝗴 𝗚𝗲𝗻-𝟰 𝘁𝗼 𝗽𝗿𝗼𝘁𝗼𝘁𝘆𝗽𝗲 𝘀𝗰𝗲𝗻𝗲𝘀 𝗳𝗮𝘀𝘁𝗲𝗿 and slash production timelines.
• 𝗪𝗵𝘆 𝘁𝗵𝗶𝘀 𝗺𝗮𝘁𝘁𝗲𝗿𝘀: Gen-4 erases the line between AI experiments and professional filmmaking. 𝗗𝗶𝗿𝗲𝗰𝘁𝗼𝗿𝘀 𝗰𝗮𝗻 𝗶𝘁𝗲𝗿𝗮𝘁𝗲 𝗼𝗻 𝗰𝗶𝗻𝗲𝗺𝗮𝘁𝗶𝗰 𝘀𝗲𝗾𝘂𝗲𝗻𝗰𝗲𝘀 𝗶𝗻 𝗱𝗮𝘆𝘀, 𝗻𝗼𝘁 𝗺𝗼𝗻𝘁𝗵𝘀—democratizing access to tools that once required million-dollar budgets.
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Florent Poux – Top 10 Open Source Libraries and Software for 3D Point Cloud Processing
As point cloud processing becomes increasingly important across industries, I wanted to share the most powerful open-source tools I’ve used in my projects:
1️⃣ Open3D (http://www.open3d.org/)
The gold standard for point cloud processing in Python. Incredible visualization capabilities, efficient data structures, and comprehensive geometry processing functions. Perfect for both research and production.
2️⃣ PCL – Point Cloud Library (https://pointclouds.org/)
The C++ powerhouse of point cloud processing. Extensive algorithms for filtering, feature estimation, surface reconstruction, registration, and segmentation. Steep learning curve but unmatched performance.
3️⃣ PyTorch3D (https://pytorch3d.org/)
Facebook’s differentiable 3D library. Seamlessly integrates point cloud operations with deep learning. Essential if you’re building neural networks for 3D data.
4️⃣ PyTorch Geometric (https://lnkd.in/eCutwTuB)
Specializes in graph neural networks for point clouds. Implements cutting-edge architectures like PointNet, PointNet++, and DGCNN with optimized performance.
5️⃣ Kaolin (https://lnkd.in/eyj7QzCR)
NVIDIA’s 3D deep learning library. Offers differentiable renderers and accelerated GPU implementations of common point cloud operations.
6️⃣ CloudCompare (https://lnkd.in/emQtPz4d)
More than just visualization. This desktop application lets you perform complex processing without writing code. Perfect for quick exploration and comparison.
7️⃣ LAStools (https://lnkd.in/eRk5Bx7E)
The industry standard for LiDAR processing. Fast, scalable, and memory-efficient tools specifically designed for massive aerial and terrestrial LiDAR data.
8️⃣ PDAL – Point Data Abstraction Library (https://pdal.io/)
Think of it as “GDAL for point clouds.” Powerful for building processing pipelines and handling various file formats and coordinate transformations.
9️⃣ Open3D-ML (https://lnkd.in/eWnXufgG)
Extends Open3D with machine learning capabilities. Implementations of state-of-the-art 3D deep learning methods with consistent APIs.
🔟 MeshLab (https://www.meshlab.net/)
The Swiss Army knife for mesh processing. While primarily for meshes, its point cloud processing capabilities are excellent for cleanup, simplification, and reconstruction.
FEATURED POSTS
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MiniMax-Remover – Taming Bad Noise Helps Video Object Removal Rotoscoping
https://github.com/zibojia/MiniMax-Remover
MiniMax-Remover is a fast and effective video object remover based on minimax optimization. It operates in two stages: the first stage trains a remover using a simplified DiT architecture, while the second stage distills a robust remover with CFG removal and fewer inference steps.
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What Is The Resolution and view coverage Of The human Eye. And what distance is TV at best?
https://www.discovery.com/science/mexapixels-in-human-eye
About 576 megapixels for the entire field of view.
Consider a view in front of you that is 90 degrees by 90 degrees, like looking through an open window at a scene. The number of pixels would be:
90 degrees * 60 arc-minutes/degree * 1/0.3 * 90 * 60 * 1/0.3 = 324,000,000 pixels (324 megapixels).At any one moment, you actually do not perceive that many pixels, but your eye moves around the scene to see all the detail you want. But the human eye really sees a larger field of view, close to 180 degrees. Let’s be conservative and use 120 degrees for the field of view. Then we would see:
120 * 120 * 60 * 60 / (0.3 * 0.3) = 576 megapixels.
Or.
7 megapixels for the 2 degree focus arc… + 1 megapixel for the rest.
https://clarkvision.com/articles/eye-resolution.html
Details in the post
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No one could see the colour blue until modern times
https://www.businessinsider.com/what-is-blue-and-how-do-we-see-color-2015-2
The way humans see the world… until we have a way to describe something, even something so fundamental as a colour, we may not even notice that something it’s there.
Ancient languages didn’t have a word for blue — not Greek, not Chinese, not Japanese, not Hebrew, not Icelandic cultures. And without a word for the colour, there’s evidence that they may not have seen it at all.
https://www.wnycstudios.org/story/211119-colorsEvery language first had a word for black and for white, or dark and light. The next word for a colour to come into existence — in every language studied around the world — was red, the colour of blood and wine.
After red, historically, yellow appears, and later, green (though in a couple of languages, yellow and green switch places). The last of these colours to appear in every language is blue.The only ancient culture to develop a word for blue was the Egyptians — and as it happens, they were also the only culture that had a way to produce a blue dye.
https://mymodernmet.com/shades-of-blue-color-history/True blue hues are rare in the natural world because synthesizing pigments that absorb longer-wavelength light (reds and yellows) while reflecting shorter-wavelength blue light requires exceptionally elaborate molecular structures—biochemical feats that most plants and animals simply don’t undertake.
When you gaze at a blueberry’s deep blue surface, you’re actually seeing structural coloration rather than a true blue pigment. A fine, waxy bloom on the berry’s skin contains nanostructures that preferentially scatter blue and violet light, giving the fruit its signature blue sheen even though its inherent pigment is reddish.
Similarly, many of nature’s most striking blues—like those of blue jays and morpho butterflies—arise not from blue pigments but from microscopic architectures in feathers or wing scales. These tiny ridges and air pockets manipulate incoming light so that blue wavelengths emerge most prominently, creating vivid, angle-dependent colors through scattering rather than pigment alone.
(more…)
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Public Work – A search engine for free public domain content
Explore 100,000+ copyright-free images from The MET, New York Public Library, and other sources.
