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netflixtechblog.com/remote-workstations-for-the-discerning-artists-8155a8fbd190
Netflix is poised to become the world’s most prolific producer of visual effects and original animated content. To meet that demand, we need to attract the world’s best artistic talent. Artists like to work at places where they can create groundbreaking entertainment instead of worrying about getting access to the software or source files they need. To meet this need, the Studio Infrastructure team has created Netflix Workstations.
Netflix Workstations are remote workstations that allow content creators to get to work wherever they are.
www.cnn.com/2021/01/28/media/china-box-office-coronavirus/index.html
“In 2020, China overtook the United States to become the top movie market in the world. The country, perennially the second-largest movie market, brought in $3.1 billion at the box office in 2020, according to Comscore (SCOR) — nearly $1 billion more than the United States did last year.
“If China doesn’t need US movies, Hollywood studios will have to dramatically reduce their spending on big budget blockbusters,” Aynne Kokas, the author of “Hollywood Made in China,” told CNN Business. “The current budgets are unsustainable without access to the China market. That could fundamentally change the model of the US film industry.”
“Regardless of what happens with Covid, we have at a minimum entered a world where the Chinese and US box offices are equally important,”
So where do Hollywood and China go from here? That question, like so many in the film industry right now, has no easy answer. Yet whatever the future of the film industry is, it’s likely to be one where Hollywood and China remain the two major pillars holding up the global box office.
deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/
Blue Sky’s top grossing animation features at the worldwide box office were Ice Age: Dawn of the Dinosaurs (’09, $886M), Ice Age: Continental Drift (’12, $877M), Icen Age: Meltdown (’06, $660M), Rio 2 (’14, $500M), Rio (’11, $484M), Ice Age: Collusion Course (’16, $408M), Ice Age (02, $383M), Dr. Seuss’ Horton Hears a Who! (’08, $297M), Ferdinand (’17, $296M), Epic (’13, $268M), Robots (’05, $260M), and The Peanuts Movie (’15, $246M) and Spies in Disguise (’19, $171M).
www.awn.com/news/20-new-series-coming-disney-next-few-years
“In yesterday’s big Disney investor meeting, Lucasfilm’s Kathleen Kennedy revealed plans for 10 Star Wars and 10 Marvel series to stream on Disney+ in the next few years. PHEW! That’s 20 series in less than five years, which is ambitious to say the least.”
www.bbc.com/news/entertainment-arts-55232418
Fiona Bevan, who has written songs for One Direction, Steps and Lewis Capaldi, said many writers were struggling because of the way streaming services pay royalties.
Bevan revealed she had earned just £100 for co-writing a track on Kylie Minogue’s number one album, Disco.
“The most successful songwriters in the world can’t pay their rent,” she added.
www.blender.org/press/facebook-joins-the-blender-development-fund/
Facebook will join the Blender Foundation’s Development Fund as a Corporate Patron as of Q4, 2020.
www.sidefx.com/community/epic-games-invests-in-sidefx/
Epic Games is now a minority investor in SideFX
https://www.cultofmac.com/726927/apple-among-the-tech-giants-snapping-up-vfx-experts-to-work-on-ar/
Silicon Valley’s biggest companies are snapping up the people and technology behind some of Hollywood’s blockbusters in an effort to improve their augmented- and virtual-reality offerings.
“It’s harder to make as much money working in visual effects,” said Paul Debevec, a veteran of the visual-effects industry who is now a professor at the University of Southern California. About 4½ years ago Google hired Mr. Debevec, an award-winning pioneer in the creation of convincing digital humans, to help the company advance extended reality.
Working in visual effects in film and TV can mean long, unpredictable hours, limited compensation, poor job security and paltry benefits—many call it the “cool tax” one pays for the pleasure of working in Hollywood.
In a press release, Framestore said the acquisition and resulting scaled-up business “represents the next phase of the industry, uniquely uniting all aspects that support the making of entertainment and communications content – from concepts, through to digital and post-production.”
www.broadcastnow.co.uk/tech/framestore-acquires-company-3-/-method/5154656.article
Animators at Titmouse Vancouver have unionized, voting 98% to 2% to join the Animation Guild, IATSE Local 938. IATSE says it’s the first animation studio in Canada to become unionized.
The studio’s many animated titles include Black Panther for BET, Star Trek: Lower Decks for CBS All Access, and Star Wars: Galaxy of Adventures for Disney XD.
Chris is now using Google’s Looker Studio (this may better help those that aren’t able to use the filters on the spreadsheet):
https://lookerstudio.google.com/u/0/reporting/2f39b56e-7393-4aa2-9fd5-bf8bf615c95f/page/5koHB
Older format: docs.google.com/spreadsheets/d/1eR2oAXOuflr8CZeGoz3JTrsgNj3KuefbdXJOmNtjEVM/edit#gid=0
For any studios that would like to add positions to this, please feel free to use the following form:
https://docs.google.com/forms/d/e/1FAIpQLSeXziY3GQ8N7bxM-GxwDoZ7AimguHru0105PLVQtNYygswIlw/viewform
www.awn.com/blog/true-costs-working-home
“…what are the long-term negative ramifications of working from home…
As entertainment industry freelancers, we know how to deal with these extra costs. When we supply our own equipment for a job, we charge a “kit fee.” A Kit Fee is billed as a daily expense, on top of our working fee, to cover our hard and soft costs such as supplies, software and computers.”
www.awn.com/news/netflix-signs-huge-animation-studio-lease-burbank
Streaming giant takes on over 170,000 square feet to house its first dedicated animation studio.
www.awn.com/news/microsoft-acquires-fallout-and-elder-scrolls-publisher-bethesda-softworks
Microsoft this morning has just announced plans to acquire ZeniMax Media, the parent company of Bethesda Softworks, one of the largest, privately held game developers and publishers in the world.
The game studio, which publishes a number of best-selling gaming franchises including The Elder Scrolls and Fallout, brings to Microsoft and its Xbox platform an impressive portfolio of games, technology, talent, as well as a track record of blockbuster commercial success.
The combination brings together NVIDIA’s leading AI computing platform with Arm’s vast ecosystem to create the premier computing company for the age of artificial intelligence, accelerating innovation while expanding into large, high-growth markets.
www.bbc.com/news/technology-54063648
Netflix’s chairman has said working from home has no positive effects and makes debating ideas harder.
But Reed Hastings, who founded the platform, also said its 8,600 employees would not have to return to the office until most of them had received an approved coronavirus vaccine.
And he predicted most people would continue to work from home on one day a week even after the pandemic was over.
Y Combinator provides seed funding for startups. Seed funding is the earliest stage of venture funding. It pays your expenses while you’re getting started.
Proposing to solve PROBLEMS which are :
– Popular
– Growing
– Urgent
– Expensive
– Mandatory
– Frequent
Using a SOLUTION :
– Which is dedicated to the solve a known Problem
Making sure you have a unique INSIGHT :
– you are a Founder
– you have an ever growing Market
– you have a special Product
– you are able to grow and natively sustain your customer Acquisition
– you have a sustainable Monopoly
All these using a winning formula :
BEHAVIOR = MOTIVATION + ABILITY + TRIGGER
www.escapistmagazine.com/v2/dc-universe-possibly-shutting-down-as-warner-focuses-on-hbo-max/
news.toyark.com/2020/08/10/dc-direct-shut-down-in-massive-lay-offs-at-warner-bros-398330
DC Universe, DC’s streaming and digital comics platform, may be shutting down as WarnerMedia shifts all of its streaming efforts to HBO Max and perhaps looks for a new digital strategy for the comic books.
You’ve been in the VFX Industry for over a decade. Tell us about your journey.
It all started with my older brother giving me a Commodore64 personal computer as a gift back in the late 80′. I realised then I could create something directly from my imagination using this new digital media format. And, eventually, make a living in the process.
That led me to start my professional career in 1990. From live TV to games to animation. All the way to live action VFX in the recent years.
I really never stopped to crave to create art since those early days. And I have been incredibly fortunate to work with really great talent along the way, which made my journey so much more effective.
What inspired you to pursue VFX as a career?
An incredible combination of opportunities, really. The opportunity to express myself as an artist and earn money in the process. The opportunity to learn about how the world around us works and how best solve problems. The opportunity to share my time with other talented people with similar passions. The opportunity to grow and adapt to new challenges. The opportunity to develop something that was never done before. A perfect storm of creativity that fed my continuous curiosity about life and genuinely drove my inspiration.
Tell us about the projects you’ve particularly enjoyed working on in your career
(more…)screenrant.com/mulan-movie-streaming-release-date-disney-plus-price/
“This news of Mulan skipping a theatrical-only release to debut on Disney+ and in theaters the same day is quite shocking.
Disney’s Mulan is without question the biggest film to move to a streaming release so far (with, perhaps, the exception of certain movies that were already in theaters when closures began), even if it’s a combination of streaming and theater screenings. Mulan was expected to be a big box office earner for Disney, particularly as it’s one of the first blockbusters with a predominantly Asian cast.
Although Mulan can still prove to be a financial success, it will never be known whether the movie could’ve seen massive, record-breaking success like that which Black Panther earned when it released in 2018.”
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