COMPOSITION
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9 Best Hacks to Make a Cinematic Video with Any CameraRead more: 9 Best Hacks to Make a Cinematic Video with Any Camerahttps://www.flexclip.com/learn/cinematic-video.html - Frame Your Shots to Create Depth
- Create Shallow Depth of Field
- Avoid Shaky Footage and Use Flexible Camera Movements
- Properly Use Slow Motion
- Use Cinematic Lighting Techniques
- Apply Color Grading
- Use Cinematic Music and SFX
- Add Cinematic Fonts and Text Effects
- Create the Cinematic Bar at the Top and the Bottom
  
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Cinematographers Blueprint 300dpi posterRead more: Cinematographers Blueprint 300dpi posterThe 300dpi digital poster is now available to all PixelSham.com subscribers. If you have already subscribed and wish a copy, please send me a note through the contact page. 
DESIGN
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AI MidJourney – creating images with AIRead more: AI MidJourney – creating images with AIhttps://www.deviantart.com/tag/midjourney https://boingboing.net/2022/03/24/midjourney-sharpens-style-of-ai-art.html https://www.resetera.com/threads/midjourney-is-lighting-up-the-ai-generated-art-community.586463/ https://www.artstation.com/artwork/G8Lead Images courtesy of Midjourney’s users                                
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Arminas Valunas – “Coca-Cola: Wherever you are.”Read more: Arminas Valunas – “Coca-Cola: Wherever you are.”Arminas created this using Juggernaut Xl model and QR Code Monster SDXL ControlNet. 
 His pipeline:
 Static Images – Forge UI.
 Upscaled with Leonardo AI universal upscaler.
 Animated with Runway ML and Minimax.
 Video upscale – Topaz Video AI.
 Composited in Adobe Premiere.
 Juggernaut Xl download here:
 https://civitai.com/models/133005/juggernaut-xl
 QR Code Monster SDXL:
 https://civitai.com/models/197247?modelVersionId=221829
COLOR
LIGHTING
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Photography basics: Why Use a (MacBeth) Color Chart?Read more: Photography basics: Why Use a (MacBeth) Color Chart?Start here: https://www.pixelsham.com/2013/05/09/gretagmacbeth-color-checker-numeric-values/ https://www.studiobinder.com/blog/what-is-a-color-checker-tool/ In LightRoom in Final Cut in Nuke Note: In Foundry’s Nuke, the software will map 18% gray to whatever your center f/stop is set to in the viewer settings (f/8 by default… change that to EV by following the instructions below). 
 You can experiment with this by attaching an Exposure node to a Constant set to 0.18, setting your viewer read-out to Spotmeter, and adjusting the stops in the node up and down. You will see that a full stop up or down will give you the respective next value on the aperture scale (f8, f11, f16 etc.).One stop doubles or halves the amount or light that hits the filmback/ccd, so everything works in powers of 2. 
 So starting with 0.18 in your constant, you will see that raising it by a stop will give you .36 as a floating point number (in linear space), while your f/stop will be f/11 and so on.If you set your center stop to 0 (see below) you will get a relative readout in EVs, where EV 0 again equals 18% constant gray. In other words. Setting the center f-stop to 0 means that in a neutral plate, the middle gray in the macbeth chart will equal to exposure value 0. EV 0 corresponds to an exposure time of 1 sec and an aperture of f/1.0. This will set the sun usually around EV12-17 and the sky EV1-4 , depending on cloud coverage. To switch Foundry’s Nuke’s SpotMeter to return the EV of an image, click on the main viewport, and then press s, this opens the viewer’s properties. Now set the center f-stop to 0 in there. And the SpotMeter in the viewport will change from aperture and fstops to EV. 
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