www.linkedin.com/pulse/neutral-balance-grade-why-important-compositing-iman-javaherypour

This is the color of something infinitely hot.

Of course you’d instantly be fried by gamma rays of arbitrarily high frequency, but this would be its spectrum in the visible range.

johncarlosbaez.wordpress.com/2022/01/16/the-color-of-infinite-temperature/

This is also the color of a typical neutron star. They’re so hot they look the same.
It’s also the color of the early Universe!

This was worked out by David Madore.

The color he got is sRGB(148,177,255).
www.htmlcsscolor.com/hex/94B1FF

And according to the experts who sip latte all day and make up names for colors, this color is called ‘Perano’.

www.palagems.com/gem-lighting2

Artificial light sources, not unlike the diverse phases of natural light, vary considerably in their properties. As a result, some lamps render an object’s color better than others do.

The most important criterion for assessing the color-rendering ability of any lamp is its spectral power distribution curve.

Natural daylight varies too much in strength and spectral composition to be taken seriously as a lighting standard for grading and dealing colored stones. For anything to be a standard, it must be constant in its properties, which natural light is not.

For dealers in particular to make the transition from natural light to an artificial light source, that source must offer:
1- A degree of illuminance at least as strong as the common phases of natural daylight.
2- Spectral properties identical or comparable to a phase of natural daylight.

A source combining these two things makes gems appear much the same as when viewed under a given phase of natural light. From the viewpoint of many dealers, this corresponds to a naturalappearance.

The 6000° Kelvin xenon short-arc lamp appears closest to meeting the criteria for a standard light source. Besides the strong illuminance this lamp affords, its spectrum is very similar to CIE standard illuminants of similar color temperature.