DB Browser for SQLite (DB4S) is a high quality, visual, open source tool designed for people who want to create, search, and edit SQLite or SQLCipher database files. DB4S gives a familiar spreadsheet-like interface on the database in addition to providing a full SQL query facility. It works with Windows, macOS, and most versions of Linux and Unix. Documentation for the program is on the wiki.
If you’re serious about AI Agents, this is the guide you’ve been waiting for. It’s packed with everything you need to build powerful AI agents. It follows a very hands-on approach that cuts down your time and avoids the common mistakes most developers make.
Andreas Horn on AI Agents vs Agentic AI
1. 𝗔𝗜 𝗔𝗴𝗲𝗻𝘁𝘀: 𝗧𝗼𝗼𝗹𝘀 𝘄𝗶𝘁𝗵 𝗔𝘂𝘁𝗼𝗻𝗼𝗺𝘆, 𝗪𝗶𝘁𝗵𝗶𝗻 𝗟𝗶𝗺𝗶𝘁𝘀 ➜ AI agents are modular, goal-directed systems that operate within clearly defined boundaries. They’re built to: * Use tools (APIs, browsers, databases) * Execute specific, task-oriented workflows * React to prompts or real-time inputs * Plan short sequences and return actionable outputs
But even the most advanced are limited by scope. They don’t initiate. They don’t collaborate. They execute what we ask!
2. 𝗔𝗴𝗲𝗻𝘁𝗶𝗰 𝗔𝗜: 𝗔 𝗦𝘆𝘀𝘁𝗲𝗺 𝗼𝗳 𝗦𝘆𝘀𝘁𝗲𝗺𝘀 ➜ Agentic AI is an architectural leap. It’s not just one smarter agent — it’s multiple specialized agents working together toward shared goals. These systems exhibit: * Multi-agent collaboration * Goal decomposition and role assignment * Inter-agent communication via memory or messaging * Persistent context across time and tasks * Recursive planning and error recovery * Distributed orchestration and adaptive feedback
Agentic AI systems don’t just follow instructions. They coordinate. They adapt. They manage complexity.
Maya blue is a highly unusual pigment because it is a mix of organic indigo and an inorganic clay mineral called palygorskite.
Echoing the color of an azure sky, the indelible pigment was used to accentuate everything from ceramics to human sacrifices in the Late Preclassic period (300 B.C. to A.D. 300).
A team of researchers led by Dean Arnold, an adjunct curator of anthropology at the Field Museum in Chicago, determined that the key to Maya blue was actually a sacred incense called copal. By heating the mixture of indigo, copal and palygorskite over a fire, the Maya produced the unique pigment, he reported at the time.
If you’re serious about protecting your IP, client relationships, and professional credibility, you need to stop treating generative AI tools like consumer-grade apps. This isn’t about fear, it’s about operational discipline. Below are immediate steps you can take to reduce your exposure and stay in control of your creative pipeline.
Use ChatGPT via the API, not the public app, for any sensitive data.
Isolate ComfyUI to a sandboxed VM, Docker container, or offline machine.
Audit every custom node, don’t blindly trust GitHub links or ComfyUI workflows
Educate your team, a single mistake can leak an unreleased game asset, a feature film script, or trade secrets.
The new Vancouver virtual stage will measure 50 feet in diameter, 23 feet tall, and will have a 14 foot deep semi-circle to surround actors and physical sets with a digital environment. There’s also two movable wild walls 20 feet wide and 16.5 feet tall and mounted on a ground-hover system to allow quick repositioning, especially for capturing car driving scenes.
The Windows “Robust File Copy” utility for efficiently copying files and directories, with built-in retry, logging, and mirroring capabilities.
By default, Robocopy skips copying existing files if the specific metadata of the files match.
/mir : Mirror the source directory tree to the destination (equivalent to /e + /purge): /e : copies all subdirectories, including empty ones /purge : deletes files/folders at the destination that no longer exist at the source /sj : Copy NTFS junction points (“soft-links”) themselves rather than what they point to. This preserves the junction at the destination. /sl : Copy symbolic links as links (don’t follow them and copy the target file/directory). /mt:24 :Run the copy operation using 24 concurrent threads (range 1–128; default is 8), for higher throughput on multi-core systems. This switch cannot be combined with /ipg or /efsraw. /J : unbuffered I/O (good for large files) /R:<N> : to limit retries (default is 1 000 000) /W:<S> : to set the wait time in seconds (default is 30) /NJS : No Job Summary. /NC : No Class – don’t log file classes. /NFL : (No File List) Suppresses the per-file lines (e.g. “New File …”, “Copied …”). Benefit: Cuts down console I/O, often shaving 10–20 % off total runtime on large trees. /NDL : (No Directory List) Suppresses the per-directory header lines. Benefit: Further reduces console chatter. /NP : (No Progress) Suppresses the percentage-complete on each file. Drawback: You lose the “XX %” indicator /NJH : (No Job Header) and /NJS (No Job Summary) Only affect the very first and very last block; negligible on runtime and you probably want at least the summary. /NS (No Size) and /NC (No Class) Remove size and class columns from each line. If you’re suppressing file/directory lists anyway, these don’t help much. /XD : ignore given types /ETA : Show Estimated Time of Arrival of copied files.
Note: Robocopy’s support for NTFS reparse-points (symbolic links and junctions) is a bit quirky:
/SL only affects symbolic links (it tells RoboCopy to replicate the link itself rather than follow it).
/SJ only affects junction points (ditto for directory-junction reparse points).
If you use both /SL and /SJ, RoboCopy can still attempt to enumerate a link as a real folder—leading to that “ERROR 267: The directory name is invalid.”
Because of this, this errors can be ignored: 2025/05/15 12:09:11 ERROR 267 (0x0000010B) Copying Directory C:\redux-remember\The directory name is invalid.
Bat file example:
@echo off
setlocal
:: Define the source and destination directories
set "src=%cd%"
set "dst=C:\TEMP"
echo Copying %src% to %dst%
:: Use robocopy to copy the contents
robocopy "%src%" "%dst%" /MIR /SJ /SL /MT:24 /J /R:0 /W:2 /NFL /NDL /ETA /NP /NC /XD "__pycache__" ".pnpm"
pause
endlocal
A 25-year-old Santa Clarita man has agreed to plead guilty to hacking a Disney employee’s personal computer, stealing login credentials, and exfiltrating 1.1 terabytes of confidential data from internal Slack channels.
The charges stem from a targeted cyberattack carried out in the spring and summer of 2024 that compromised Disney’s internal communications and led to the public leak of sensitive corporate data.
“Kramer, operating under the alias “NullBulge,” created and distributed a malicious program disguised as an AI art generation tool. He uploaded this trojanized application to GitHub and other public repositories in early 2024, enticing users interested in generative AI. At least three victims, including one Disney employee, downloaded the program. Once executed, the software provided Kramer with remote access to the victims’ machines and stored credentials.”
After infiltrating the employee’s personal system, Kramer accessed corporate Slack credentials to infiltrate Disney’s internal Slack workspace and downloaded around 1.1 terabytes of data from nearly 10,000 channels including unreleased media projects, internal code, links to APIs, and credentials for internal web services.
A company’s board of directors has an obligation, first and foremost, to its shareholders. OpenAI’s most important shareholder is Microsoft, the company that gave Altman & Co. $13 billion to help Bing, Office, Windows and Azure leapfrog Google and stay ahead of Amazon, IBM and other AI wannabes.
So a day later, the board reportedly asked for a mulligan and tried to woo Altman back. It was a shocking turn of events and an embarrassing self-own by a company that its widely regarded as the most promising producer of the most exciting new technology.
The board angered a powerful ally and could be forever changed because of the way it handled Altman’s ouster. It could end up with Altman back at the helm, a for-profit company on its nonprofit board – and a massive culture shift at OpenAI.
But Microsoft, OpenAI’s biggest investor, has decided not to take a chance on Mr Altman taking this tech elsewhere. He will be joining the Seattle-based tech giant, it has been announced, to lead a yet-to-be-created AI research team. His co-founder Greg Brockman goes with him, and judging from the number of staff members posting on X today, it looks like he’ll be taking some of OpenAI’s top talent too.
Many OpenAI staff members are sharing the same post on X. It reads: “OpenAI is nothing without its people”.
Is that a warning to Mr Shear that he might have some hiring to do? A BBC colleague outside OpenAI’s headquarters just told me at 0930 in San Francisco, there were no signs of people arriving for work.
“Your actions have made it obvious that you are incapable of overseeing OpenAI,” wrote the employees. “We are unable to work for or with people that lack competence, judgement and care for our mission and employees.”
The employees also warned that they would “imminently” follow Altman to Microsoft unless the board resigns and reinstates Altman and Greg Brockman, the former OpenAI president who was also removed by the board on Friday.
In HD we often refer to the range of available colors as a color gamut. Such a color gamut is typically plotted on a two-dimensional diagram, called a CIE chart, as shown in at the top of this blog. Each color is characterized by its x/y coordinates.
Good enough for government work, perhaps. But for HDR, with its higher luminance levels and wider color, the gamut becomes three-dimensional.
For HDR the color gamut therefore becomes a characteristic we now call the color volume. It isn’t easy to show color volume on a two-dimensional medium like the printed page or a computer screen, but one method is shown below. As the luminance becomes higher, the picture eventually turns to white. As it becomes darker, it fades to black. The traditional color gamut shown on the CIE chart is simply a slice through this color volume at a selected luminance level, such as 50%.
Three different color volumes—we still refer to them as color gamuts though their third dimension is important—are currently the most significant. The first is BT.709 (sometimes referred to as Rec.709), the color gamut used for pre-UHD/HDR formats, including standard HD.
The largest is known as BT.2020; it encompasses (roughly) the range of colors visible to the human eye (though ET might find it insufficient!).
Between these two is the color gamut used in digital cinema, known as DCI-P3.
Black-body radiation is the type of electromagnetic radiation within or surrounding a body in thermodynamic equilibrium with its environment, or emitted by a black body (an opaque and non-reflective body) held at constant, uniform temperature. The radiation has a specific spectrum and intensity that depends only on the temperature of the body.
A black-body at room temperature appears black, as most of the energy it radiates is infra-red and cannot be perceived by the human eye. At higher temperatures, black bodies glow with increasing intensity and colors that range from dull red to blindingly brilliant blue-white as the temperature increases.
The Black Body Ultraviolet Catastrophe Experiment
In photography, color temperature describes the spectrum of light which is radiated from a “blackbody” with that surface temperature. A blackbody is an object which absorbs all incident light — neither reflecting it nor allowing it to pass through.
The Sun closely approximates a black-body radiator. Another rough analogue of blackbody radiation in our day to day experience might be in heating a metal or stone: these are said to become “red hot” when they attain one temperature, and then “white hot” for even higher temperatures. Similarly, black bodies at different temperatures also have varying color temperatures of “white light.”
Despite its name, light which may appear white does not necessarily contain an even distribution of colors across the visible spectrum.
Although planets and stars are neither in thermal equilibrium with their surroundings nor perfect black bodies, black-body radiation is used as a first approximation for the energy they emit. Black holes are near-perfect black bodies, and it is believed that they emit black-body radiation (called Hawking radiation), with a temperature that depends on the mass of the hole.
Chroma Key Green, the color of green screens is also known as Chroma Green and is valued at approximately 354C in the Pantone color matching system (PMS).
Chroma Green can be broken down in many different ways. Here is green screen green as other values useful for both physical and digital production:
Green Screen as RGB Color Value: 0, 177, 64
Green Screen as CMYK Color Value: 81, 0, 92, 0
Green Screen as Hex Color Value: #00b140
Green Screen as Websafe Color Value: #009933
Chroma Key Green is reasonably close to an 18% gray reflectance.
Illuminate your green screen with an uniform source with less than 2/3 EV variation.
The level of brightness at any given f-stop should be equivalent to a 90% white card under the same lighting.
