RANDOM POSTs
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Running DeepSeek R1 Locally Due To Security Issues
DeepSeek Gets an ‘F’ in Safety From Researchers https://gizmodo.com/deepseek-gets-an-f-in-safety-from-researchers-2000558645
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Killzone 4 Shadow Fall for PS4
Read more: Killzone 4 Shadow Fall for PS4https://www.youtube.com/watch?v=X9V9oErOx9o
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Arto T. – A workflow for creating photorealistic, equirectangular 360° panoramas in ComfyUI using Flux
https://civitai.com/models/735980/flux-equirectangular-360-panorama
https://civitai.com/models/745010?modelVersionId=833115
The trigger phrase is “equirectangular 360 degree panorama”. I would avoid saying “spherical projection” since that tends to result in non-equirectangular spherical images.
Image resolution should always be a 2:1 aspect ratio. 1024 x 512 or 1408 x 704 work quite well and were used in the training data. 2048 x 1024 also works.
I suggest using a weight of 0.5 – 1.5. If you are having issues with the image generating too flat instead of having the necessary spherical distortion, try increasing the weight above 1, though this could negatively impact small details of the image. For Flux guidance, I recommend a value of about 2.5 for realistic scenes.
8-bit output at the moment
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THE THEORY THAT CONSCIOUSNESS IS A QUANTUM SYSTEM
Read more: THE THEORY THAT CONSCIOUSNESS IS A QUANTUM SYSTEMhttps://mindmatters.ai/2024/01/the-theory-that-consciousness-is-a-quantum-system-gains-support/
In short, it says that consciousness arises when gravitational instabilities in the fundamental structure of space-time collapse quantum wave functions in tiny structures called microtubules that are found inside neurons – and, in fact, in all complex cells.
In quantum theory, a particle does not really exist as a tiny bit of matter located somewhere but rather as a cloud of probabilities. If observed, it collapses into the state in which it was observed. Penrose has postulated that “each time a quantum wave function collapses in this way in the brain, it gives rise to a moment of conscious experience.”
Hameroff has been studying proteins known as tubulins inside the microtubules of neurons. He postulates that “microtubules inside neurons could be exploiting quantum effects, somehow translating gravitationally induced wave function collapse into consciousness, as Penrose had suggested.” Thus was born a collaboration, though their seminal 1996 paper failed to gain much traction.
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Zach Arnold – 2020: Dear Hollywood: We Don’t Want to “Go Back to Normal.” Normal Wasn’t Working
Read more: Zach Arnold – 2020: Dear Hollywood: We Don’t Want to “Go Back to Normal.” Normal Wasn’t Workinghttps://optimizeyourself.me/dear-hollywood-normal-wasnt-working/
Hollywood’s pre-pandemic “normal” wasn’t sustainable or healthy, particularly for workers who faced long hours, poor work-life balance, and limited diversity. This article calls for the industry to use this post-pandemic period as a chance to reform and prioritize the well-being, creativity, and inclusivity of its workforce, rather than simply returning to old, harmful practices.
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Anthropic releases a new free Claude 3.5 Sonnet AI model
Read more: Anthropic releases a new free Claude 3.5 Sonnet AI modelhttps://www.theverge.com/2024/6/20/24181961/anthropic-claude-35-sonnet-model-ai-launch
https://www.anthropic.com/claude
https://time.com/6990386/anthropic-dario-amodei-interview/
https://github.com/anthropics/anthropic-quickstarts
Dario Amodei, CEO of Anthropic, envisions a future where AI systems are not only powerful but also aligned with human values. After leaving OpenAI, Amodei co-founded Anthropic to tackle the safety challenges of AI, aiming to create systems that are both intelligent and ethical. One of the key methods Anthropic employs is “Constitutional AI,” a training approach that instills AI models with a set of core principles derived from universally accepted documents like the United Nations Declaration of Human Rights.
https://apps.apple.com/us/app/claude-by-anthropic/id6473753684
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John Knoll on VFX industry
DS: You cannot talk about visual effects these days without talking about the rough business climate. There seems to be a tug of war between the studios and the visual effects houses, with considerable finger pointing and frustration. Are there any answers? Is there much more shake out to come? Where do you see things headed?
JK: All in all, the picture is a little grim right now. Unfortunately, there are a lot of companies that engage in really foolish and short sighted business practices. You can’t just blame the studios for wanting to pay less and less for the work.
What’s happening is that when a low target number goes out, somebody says, “Yes.” A lot of times companies are saying “Yes” to a number that they know is going to be below their cost. They know they are going to lose money, for a variety of reasons. Sometimes they don’t know that’s what they are doing.
They completely misunderstood what it is they are bidding on and their bid is based on a wrong assumption. They are going to take it in the shorts because of their naivety. Sometimes they are doing it for strategic reasons, thinking, “We will buy this first one and then…”
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StudioBinder – Roger Deakins on How to Choose a Camera Lens — Cinematography Composition Techniques
Read more: StudioBinder – Roger Deakins on How to Choose a Camera Lens — Cinematography Composition Techniqueshttps://www.studiobinder.com/blog/camera-lens-buying-guide/
https://www.studiobinder.com/blog/e-books/camera-lenses-explained-volume-1-ebook
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