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Netflix Acquires Animation Studio Animal Logic
Read more: Netflix Acquires Animation Studio Animal Logichttps://deadline.com/2022/07/netflix-acquires-animation-studio-animal-logic-1235072619/
https://animallogic.com/wp-content/uploads/2022/07/AnimalLogic_PressRelease_Final.pdf
NETFLIX ACQUIRES WORLD LEADING INDEPENDENT ANIMATION STUDIO ANIMAL LOGIC
19 July 2022 Netflix and Animal Logic are excited to announce today that Netflix plans to acquire the
Australian animation studio.* This acquisition will support Netflix’s ambitious animated film slate,
building on films like Academy Award-nominated Over the Moon, Academy Award-nominated Klaus
and the recently released The Sea Beast -
If we turned back the evolutionary clock, would a species similar to humans come to dominate the Earth again?
Read more: If we turned back the evolutionary clock, would a species similar to humans come to dominate the Earth again?www.bbc.com/future/story/20190709-would-humans-evolve-again-if-we-rewound-time
American palaeontologist Stephen Jay Gould proposed : What would happen if the hands of time were turned back to an arbitrary point in our evolutionary history and we restarted the clock?
Gould reckoned that humanity’s evolution was so rare that we could replay the tape of life a million times and we wouldn’t see anything like Homo sapiens arise again. His reasoning was that chance events play a huge role in evolution.
Put simply, evolution is the product of random mutation.
Experimental evolutionary biologists do have the means to test some of Gould’s theories on a microscale with bacteria.
Many bacterial evolution studies have found, perhaps surprisingly, that evolution often follows very predictable paths over the short term, with the same traits and genetic solutions frequently cropping up. There are evolutionary forces that keep evolving organisms on the straight and narrow. Natural selection is the “guiding hand” of evolution, reigning in the chaos of random mutations and abetting beneficial mutations. This means many genetic changes will fade from existence over time, with only the best enduring. This can also lead to the same solutions of survival being realized in completely unrelated species.
What about the underlying physical laws (ie: gravity) – do they favour predictable evolution? At very large scales, it appears so.
This means that the broad “rules” for evolution would remain the same no matter how many times we replayed the tape. There would always be an evolutionary advantage for organisms that harvest solar power. There would always be opportunity for those that make use of the abundant gases in the atmosphere. And from these adaptations, we may predictably see the emergence of familiar ecosystems. But ultimately, randomness, which is built into many evolutionary processes, will remove our ability to “see into the future” with complete certainty. -
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Maya Curve history on polys
Read more: Maya Curve history on polysOne last old tutorial relocation…
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Open source Cycles render implemented into Gaffer
Read more: Open source Cycles render implemented into Gafferhttps://github.com/GafferHQ/gaffer/releases/tag/1.0.3.0
https://github.com/GafferHQ/gaffer/pull/4812
This release introduces support for the open source Cycles renderer. This is introduced as an opt-in feature preview intended for early testing and feedback as breaking changes can be expected while we continue to improve Cycles integration in future releases. As such, the use of Cycles is disabled by default but can be enabled via an environment variable. Additionally we’ve added support for viewing parameter history in the Light Editor, automatic render-time translation of UsdPreviewSurface shaders and UsdLuxLights for Arnold and made the usual small fixes and improvements.
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Bennett Waisbren – ChatGPT 4 video generation
1. Rankin/Bass – That nostalgic stop-motion look like Rudolph the Red-Nosed Reindeer. Cozy and janky.
2. Don Bluth – Lavish hand-drawn fantasy. Lush lighting, expressive eyes, dramatic weight.
3. Fleischer Studios – 1930s rubber-hose style, like Betty Boop and Popeye. Surreal, bouncy, jazz-age energy.
4. Pixar – Clean, subtle facial animation, warm lighting, and impeccable shot composition.
5. Toei Animation (Classic Era) – Foundation of mainstream anime. Big eyes, clean lines, iconic nostalgia.
6. Cow and Chicken / Cartoon Network Gross-Out – Elastic, grotesque, hyper-exaggerated. Ugly-cute characters, zoom-ins on feet and meat, lowbrow chaos.
7. Max Fleischer’s Superman – Retro-futurist noir from the ’40s, bold shadows and heroic lighting.
8. Sylvain Chomet – French surrealist like The Triplets of Belleville. Slender, elongated, moody weirdness.
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